This is the end of all this. This 'Romance of the 60's' that I spent years working on and writing and editing and still having gross misspellings and other problems. If you read it all--I thank you profoundly...The Igloo Factory means a great deal to me and I am grateful you shared in it. I would like to hear from you about what you thought about it. It will most likely, certainly never be published, as I had dreamed when I wrote it. But I am so happy someone--you--has read some of it. It is a part of my heart and a part of who I 'be' in this world. So thank you so much for being part of that. Really.
The last two chapters belong together. Hope you enjoy them in some way. Blessings and Shalom, jim
TWELVE
VACATION—LONG BEACH
“Good
bye, Meyer, see you…”
--Susan Worthington
“By the way, don’t
get too attached to anything.”
“I won’t.”
“Of course you will,
we all do.”
--exchange between
Meyer T Meyer and
T. Reed Daley on a
beach
I
had an odd feeling about vacation. I couldn’t put my finger on it,
but it was there. It reminded me of the Casio digital watch Sandy
gave me for my birthday a few years ago. The watch had an hourly
alarm to help me with my ‘time issues’.
That’s
what Sandy said as she was showing me how to set the other alarms and
engage the stop watch and turn on the dial light so I could see what
time it was in the dark. “This will be great for you, Reed,” she
said, “this will help you with your time issues.”
Sandy
loves gadgets as much as I loathe them. There are things in our
kitchen that Sandy uses all the time and I don’t know the names
for. There’s a gizmo to shred salad and a blender to reduce
anything without bones to mush in a push of a button and a
utilitarian-looking thing that grinds coffee beans to three different
consistencies and an electric can-opener/knife-sharpener that defies
operation. I have finally conquered the Braun coffee maker—a black
Nazi monolith of a contraption that reminds me of the movie 2001
and the ultimate destruction of life as I appreciate it. So long as
Sandy has ground coffee beans to their proper configuration, I can
make them into coffee with the Braun monstrosity. Yet, even it makes
me nervous.
I
prefer watches and clocks with hands and without alarms,
stop-watches, reminder beeps or anything. Those watches and clocks
are called ‘analog’ these days. For centuries, human beings
simply called them watches and clocks. But when digital watches and
their endlessly shifting, green and liquidly numbers came along, we
needed something to call regular—may I say, ‘real’?—watches.
‘Analog’ was the best we could come up with.
“I
like my old watch,” I told Sandy as she poured over the instruction
booklet, creating untold havoc for me and my ‘time issue’. “No
one should strap something to their wrist and tie it against their
pulse that requires 14 pages of instruction.” I went on, “I like
watches with hands.”
“They’re
called ‘analog’ watches now,” Sandy said, making my new Casio
beep as she filled it with instructions for functions I would never
use.
“And
I don’t have ‘time issues’,” I continued. “I’m just late
sometimes.”
She
laughed. “Sometimes,
Reed. That’s rich.”
My
odd feeling about vacation was like that watch. Finally, I tossed the
Casio watch across our basement and lost it. Once an hour, it would
beep, since I couldn’t figure out how to turn that feature off
before I lost it. Whenever I was there and it beeped, I’d jump up
and try to find it so I could take it down to the little stream
behind our house and throw it there. But, since it only beeped once
each hour, I could never get an accurate sounding. It took over a
year before the beeping stopped and I felt secure with my Timex with
three hands and Roman numerals.
Every
so often, when I least expected it, something would go ‘beep’
about vacation—something I didn’t understand and didn’t have
time to locate before it slipped away.
Beep.
Meyer Tee, for some reason, wasn’t coming to Buckhannon from
Morgantown and driving down with us, and he wasn’t, as he mostly
did, bringing a friend. He was flying to Wilmington at great price
and arriving the day after we got to the beach. There was some vague
excuse about some research he was doing for his history
professor—something like that. Just like Sandy’s gadgets, it was
beyond my comprehension.
Beep.
And then there were the phone calls. Sandy was on the phone a lot,
talking about the beach to someone, more than one someone. But she’d
grow secretive if I walked into the room. She’d give me a look that
indicated I had something else to do elsewhere about that time. Beep.
Once I thought I heard her say something about ‘the yataghan’
over the phone. I asked her about that one and she smiled and shook
her head at me as if I were simple.
“I
was talking to Mable Cox about the ‘afgan’ she’s making for the
craft’s fair in the fall,” she told me. “You’re still caught
up in all you’ve been writing about. Those memories, Reed, are
addling your mind a bit. You’re hearing things.”
Maybe,
I thought, but the odd feelings endured.
Peaches
didn’t help things. The last few days before my vacation began, she
kept asking me about Long Beach—what it was like, were there
romantic spots, good restaurants, clubs to party in at night?
“Long
Beach is distinctly unromantic,” I told her. “Nothing happens
there. All the three restaurants give you too much fried fish and
their décor is ‘tourist shell shop’ at best. Nothing romantic.
No bars or clubs on the whole island, though I have seen people
sitting in their cars, drinking beer and making out in the bait shop
parking lot.”
“But
it must be wonderful there,” Peaches said. “Why do you keep going
back?”
“Because
it’s not particularly ‘wonderful’, because nothing happens,
because time slows down in a place like that.” I was growing
annoyed at her. “Why do you go on about this?”
“Oh,
no reason, not really,” she said, playing with her bleached hair, a
sure sign she was lying. I just stared at her. “Well, if you must
know,” she went on, “a friend of mine is going to be there while
you are. I was just, you know, curious about what it was like.”
Then
she let it drop.
On
the drive down, Sandy was excited almost to giddiness. She kept
pointing out animals in the fields through Virginia.
“Cow
alert!” she’d cry, giggling, pointing to Holsteins and Guernseys
along the road. She grew misty-eyed about horses and always asked,
whenever we drove past sheep, if they were as stupid as people in
Buckhannon said they were.
“More
stupid than that,” I’d say, each time.
We
stopped more than usual for Sandy to go to the bathroom. We stopped
at every Shell station in three states, at many of the public rest
stops and at several fast food places. I began to think Sandy had a
bladder infection.
And
she kept playing with the air-conditioner in the car—turning it up
to bone-chilling, sub-artic settings only Meyer’s Air-Temp could
manage and the next minute, turning it completely off. My face was
chapped by temperature change before we passed Roanoke.
We
spent the night in a Best Western just over the North Carolina state
line. Sandy asked the desk clerk where the best restaurant in town
was. I took down the directions to a new Italian place while Sandy
went to the bathroom.
The
desk clerk was in her 20’s, with one of those round, soft,
comforting faces so many black women who work in southern motels seem
to have. Her Best Western nametag said YOYONYA FAYYE YANKLY. I was
quite sure I’d never seen a name with seven Y’s in it. I wondered
if her parents had an affinity for the 25th
letter of the alphabet.
“You’
all on your honeymoon?” she asked, waiting for her credit card
gadget to assure her electronically that we could afford our stay.
“I
don’t think so,” I said.
Yoyonya
smiled, “You’re wife…she seems so excited.”
“I
know,” I said. “It’s a special vacation.” I was just being
polite, not wanting to embarrass Yoyanya Fayye. But, as it turned
out, I was an unsuspecting minor prophet.
“I
just upgraded you’ all to a suite, no extra charge,” she told me,
smiling as brightly as all the Y’s in the universe. I thanked her
profusely and, much against my normal (cheap!) behavior, handed her a
$20 bill.
“No,
no,” she said, flustered….
“Oh,
yes,” I said, “Oh yes.” I probably did it just to see that
smile once more.
The
house on Long Beach was enormous and exotic. It was called “The
Nautilus”. There was a wonderful, professionally painted Nautilus
shell sign on the road beside the house. It had five bedrooms and as
many baths, two huge living areas—one off the kitchen with TV and
stereo and one on the second floor with a card table, bar and Bally
pinball machine that, like a Coke machine I once knew, needed no
coins. The kitchen had gadgets even Sandy didn’t immediately
comprehend and a little refrigerator only for wines. On the ocean
side, there were decks everywhere—multi-layered decks, acres of
them, connected by stairways and stretching down to the surf at high
tide.
The
Nautilus was the kind of beach house Sandy and I had always gawked at
as we walked up and down the beach from the humble two bedroom
cottages we always rented. I knew Meyer was coming for two weeks and
my mother, Caroline and Monica for the second week, so we needed some
room. But what would Sandy and I do with this house the third week we
were there alone?
When
Sandy and I would walk the beach in years past, I would often wonder
out loud about what kind of people stayed in houses like the
Nautilus. I always assumed we weren’t ‘those kind’ of people so
I couldn’t understand why Sandy had rented a house like the
Nautilus.
I
couldn’t ask her since she was rushing around from room to room,
moving much faster than usual, laughing and clapping her hands from
time to time.
“Oh,
yes, Reed,” she said whenever we passed each other in the endless
hallways or on the stairs, “This is perfect, just right.”
“Isn’t it too big?” I asked, mostly to myself since she had
already whisked by me.
“Oh,
no,” she called back. “You’ll see. It’s a surprise.”
That
was it! The source of my vacation unease and angst! There was a
surprise involved!
I
hate surprises. I am—I have learned and come to expect—a person
possessing few surprises. Even when I have made what seemed like a
considerable effort—for Sandy’s birthday party or Meyer Tee’s
Christmas present—there was apparently no mystery in what I had
contrived to do.
I’ve
even stopped asking, “Were you surprised?” That question was
always answered with a laugh or words like: “Oh, Reed, it’s just
like you,” or “Dad, you never cease not
to surprise me!”
So,
I’ve quit trying to surprise. I’d simply like the favor returned.
The
next morning, Sandy left early to pick up Meyer Tee at the Wilmington
Airport. She insisted on going alone.
“You
stay and relax. Enjoy yourself,” she said.
How
could I relax imagining Sandy driving 37 miles at 28 miles an hour? I
made her promise to let Meyer drive back. That made me feel a little
better.
I
wandered around the Nautilus for a while, discovering a Jacuzzi in
the downstairs bathroom, a complex intercom system between all the
rooms and a range in the kitchen that didn’t have eyes—only
smooth, black cooking areas. Surrounded by gadgets and surprises, I
decided the only way to relax was to get out of that house. I walked
half-a-mile down the beach to the Long Beach Pier and bought two six
packs of icy beer—one Bud Light and the other one Corona. If I was
going to have to be surprised, I was going to be suitably high for
it.
By
noon, I’d finished half the beer—three of each. I had a little
blue and white cooler I’d bought at the Pier that kept them
tolerably cold. My Midwestern frugality wouldn’t allow me to drink
two expensive Mexican beers in a row. As I’ve grown older, I’ve
become less self-indulgent. It isn’t intentional and I don’t mind
it.
I
dozed in my beach chair with the sun directly overhead. There wasn’t
a cloud in the sky, but suddenly, even dozing, I realized I was in
shadow. I opened my sticky eyes and found myself surrounded by
people—at least five of them. Sandy and Meyer Tee I recognized.
Even half-asleep and half-drunk and half blind from sun, I’d know
them anywhere.
The
other three confused me. One was a tall, Black man in his early 30’s,
with a manicured beard and a big smile. He looked a little like Ed
Bradley. Then there was a tiny woman, under five feet tall, with hair
that fell around her shoulders and seemed, in that light, to be
almost the color of Corona beer, just a tad less golden and a little
more tan. The last stranger looked terribly familiar except his face
was too deeply etched with smile lines and his hair was an unnatural,
metallic gray—the very gray of his eyes.
The
sun was as high as the sun gets. The day was pleasantly hot—with a
strong breeze off the ocean to cool my first-morning-at-the-beach
sunburn. The Gulf Stream waters, getting near high tide, were lapping
around my feet like warm puppies. I knew I was in North Carolina. I
knew it was near the last day of August 1989. I knew all that.
But
in that high-sun, fresh breeze, puppy ocean moment, I felt myself—six
beers before lunch—falling backward into a black hole of Time….And
there was Jerry and John Henry and Sugar. It was like sitting on the
sidewalk outside the Igloo Factory in the city of Cambridge of the
Commonwealth of Massachusetts on this fragile earth, our island home.
Flung back two decades, sitting there with my friends, I started
making noises, just like I often had to entertain them back
then—making people’s favorite noises to pass the time of day.
The
problem—the only interruption in what could have been a faithful
reliving of our past—was that the noises I started making were
involuntary. They were gasps and gurgles and wheezes and choking
sounds.
I
thought I’d swallowed the Past.
They
thought I’d had a stroke.
Next
thing I knew, I was on the cream white sectional sofa in the
downstairs living area of the Nautilus. A huge, concerned, black face
hovered over me. “He’s coming around, I think,” John Henry
said. “I think he’s going to be alright.”
“Jesus,
Reed,” Jerry called from somewhere in the room, “don’t ever
do that again!”
I
could hear Sandy, talking fast, probably on a phone. “No, cancel
it. He’s going to be okay. Just a scare. Yes…. Thank you so
much….” She hung up the phone and was kneeling beside me, holding
my face in her hands, kissing my forehead, my cheeks, my eyes.
“Well,
Dad,” I heard my son say from somewhere near, “were you
surprised?”
And
they all laughed.
Like
swallows to Capistrano…like bats to the caves of New Mexico…like
the caribou to the rim of the Artic Ocean…like a lost puppy
whimpering on the front porch—Jerry and Sugar and John Henry had
come to Long Beach, bearing gifts.
We
were all sitting on the largest of the many decks of the Nautilus
after a supper of fresh grouper, cold slaw and green beans, with
cookies Jerry had brought on the plane from Boston. Darkness was
falling. The sun had plunged into the Atlantic a half-hour before.
There was good red wine that Sugar had brought with her from Chicago.
We were all full and mellow, more than ready for night.
“We
have letters and cables here,” Jerry said, “from almost
everybody.”
“Actually,
there’s only one cable,” John Henry said.
“But
it’s from Tibet,” Sugar said, “from Yodel.”
A
cable from Yodel in Katmandu. A long letter from Krista and a
precious, pencil sized, golden candle.
“Krista
and Aaron have five kids,” Jerry said. “All girls, all mystics.”
“Pity
poor Aaron,” John Henry laughed.
There
was a letter and video tape from Easter Island.
“Marvin
Gardens’ latest movie,” Sugar said.
“Is
it about those statues?” I asked.
“Are
you kidding,” John Henry answered, “it’s about some endangered
slug that clings to the coral reef.”
“Terrific
camera work,” Jerry added.
“If
you like salt water and slugs,” John Henry replied.
“We
found a lot of people,” Jerry said, ignoring John Henry. “Lane
and Trotter run a yogurt store in Iowa City. That ass-hole Calvin is
in a Hindu monastery in Florida. He traded dope smoking for
micro-biotics. Calls himself Gurukahr Lakha.”
“Everyone
to his own addiction,” John Henry said, smiling to beat the band
and lighting a Marlboro which illuminated his face in the gathering
darkness.
“I
found little Melanie. Remember little Melanie, Reed?” Jerry said.
“Sure,
her daddy built slums.”
“Get
this,” Jerry said, Reed knew his eyes were wide open and bright,
penetrating as he spoke, but the evening has closed around them. They
sat in darkness, illuminated from behind by lights of the Nautilus.
“Get this, Reed, Melanie is a lawyer for HUD in Washington. Her
daddy died on a sailing accident in Long Island Sound and she’s got
millions of dollars to contribute to low income housing projects.
Don’t tell me there’s no such thing as irony.”
“Franklin,”
John Henry said, “sent a letter, remember, Franklin, that
basketball dude after Meyer got busted?”
Of
course I remembered. I remembered everything.
“He’s
a professor at the School of Education at Howard University. He
coaches basketball for kids who have good grades in D.C.’s junior
high schools.” John Henry cackled. “Grades are going up
everywhere—just to be coached by Franklin.”
Jerry
kept handing me letters from former Wanderers on the Earth who
had—somehow—settled to the ground and taken root.
“What
was amazing,” Jerry said, was how easy it was to find everybody.
Meyer always thought when people wanderer on they just disappeared.
They didn’t disappear at all. They were easy to find, even after
all these years.”
“So
Meyer was wrong about one thing,” I said.
“Human
to the core,” Jerry replied.
We
watched the stars swing around the sky and listened to the ocean
wheeze and stared out at the black horizon. Somewhere on the other
side of the ocean was Europe. We stained to see.
“Know
who else I found?” Jerry said, “who Krista found for me?”
I
shook my head in the darkness.
“That
guy from West Virginia who was at Harvard Divinity School. I only met
him once. He came by looking for Calvin.” Jerry paused. “What was
his name? Raymond?”
“Richard,”
I said, “Richard Lucas, the Bananaman guy.”
“Right,”
Jerry said, “now it comes flooding back. Krista wears people out in
Kentucky about the Bananaman. She’s found 14 people who remember
and put them in touch with Richard. They’re like a Bananaman Club.”
“So
where is he?”
“He’s
an Episcopal priest in Waterbury, Connecticut. Can you imagine his
accent in Connecticut?”
“Waterbury,”
I said, “I knew a man from Waterbury.”
We
sat there long into the night, bathed in darkness, in the sounds the
ocean and night made, in memory.
I
haven’t read those letters yet. I’m saving them. I’m going to
indulge myself. On the coldest night on next February, I’m going to
build a big fire, open a bottle of red wine, snuggle with Sandy and
read those letters. It will be—I don’t know—“angelic” and
“magical”. Holy messengers from across the realms of time. I’m
not ready for that much memory right now. I’m too misty eyed all
the time as it is.
Memory,
it seems to me, might just be the most precious gift we’ve been
given. Without memory, we would be little rowboats on a stormy sea,
drifting aimlessly, always in danger, never safe. Memory ties us to
Life. If I were Meyer, I’d make up a Philosophy of Life out of
that. But I’m not Meyer. I just remember him.
(ii.
Fort Fisher Ferry)
Jerry,
John Henry and Sugar spent a week with us. Meyer Tee stayed a few
more days to be with my mother and Caroline and Monica for a while.
That first week, it was strange to get up in the morning and see them
at the table—strange and a little disconcerting. But beneath that
it was good, wondrous, like being born.
Even
getting the Yataghan was good.
John
Henry brought it down before dinner the third night. Sugar, Sandy and
Meyer were cooking. John Henry found Jerry and me on one deck or
another. The green leather box was wrapped in brown paper and tied
with that tick white twine I don’t see much these days.
“This
is yours,” he said, “I’m tired of having it.”
I
felt the package. “It’s the knife. I thought I threw it in the
Charles.”
“You
didn’t look at what was in that Cape?” Jerry asked.
“No,”
I said.
John
Henry started laughing. He laughed a great deal. For people who spent
most of their days around people dying from AIDS, John Henry and
Jerry both seemed repressively happy. “Pay up, Jerry,” John Henry
almost whooped.
Jerry
pulled $20 from his pocket and handed it to John Henry. “He always
said you didn’t look. It was our bet.”
“I
was there, outside the door, when it all happened,” John Henry told
me. “When I went in Pierce was still bleeding. He was dead but
still bleeding.”
“Tell
him about the knife,” Jerry said.
“I’m
getting to it,” John Henry said, “this is my story.” They both
laughed. I wasn’t laughing yet.
“Meyer
was so very calm,” John Henry said, “He was all bloody and
smelled to high heaven, yet he was calm…almost serene. He said we
had to get rid of the Yataghan. He said you were the only person to
trust to do that, but I had to keep it for a while. He put it in the
box and tied it up with some bloody string from Sandy’s mobile
above his bed. I left it that way for years, then Jerry and I wrapped
it in the brown paper and tied it again.
“
‘That damn Reed can’t keep a secret,” is the way he said it.
‘His face gives him away, we’ve got to make him think the knife
is gone’.”
“I
asked him if this would keep him out of jail. ‘Hell no,’ he told
me. ‘But if this Yataghan got into a courtroom there wouldn’t be
a safe throat there!’ That’s when we came up with the plan of
wrapping one of Krista’s candles in the Cape and having you throw
it away. I asked Meyer if you would look in the cape?”
Sugar
came out to tell us dinner was almost ready, but Jerry shooed her
away. “She can’t handle this discussion,” he told me and John
Henry.
“
‘Reed,’ Meyer said, real incredulous,” John Henry took up the
story again. “ ‘Are we talking about the same Reed here? He’ll
never look, not in a million years.’”
“Meyer
was right about one thing at least,” Jerry said.
The
story went on and on. Sandy, Sugar and Meyer started eating without
us. The point was, John Henry never opened the case, not once. He had
kept the knife for over 20 years, waiting for the time to pass it on
to me.
“What
am I supposed to do with it?” I asked.
“Don’t
ask me,” John Henry said, “I’m rid of my Curse now. Ask Meyer.”
I
put the package, still unopened, under the bed in our room in the
Nautilus.
The
next morning we went to Fort Fisher on the Ferry, to read the will
and scatter Meyer’s ashes. Because Charity Brigham had been
handling his finances for 20 years, Meyer died with a Ferry full of
money. He left a million dollars to Jerry’s group—Blood Ties—and
another million to Holy Ghost Hospital for Hospice services. The
rest, stunningly, he left evenly divided between Sandy, Meyer Tee and
me—about $3 million each.
“You’ll
each be lucky to end up with two million, even though Brigham’s
lawyers found more loopholes and lawyerly tricks than you can
imagine,” Jerry announced. We were on the boat crossing from
Southport to Fort Fisher. Meyer’s instructions were that his will
were to be read while in a boat.
“This
is weird as shit,” Meyer Tee said. He was as white as the puffy
clouds that drifted in the endless Carolina blue sky. I thought he
might faint or throw up and I didn’t know which part he meant—the
part about having to hear about our inheritances on a boat or that he
was now a millionaire.
“Which
part do you mean?” I asked.
“All
of it. Fucking all of it!” he said.
“Don’t
say ‘fuck’,” Jerry said sternly. The he reached for a green
backpack he had carried that day. “Well, that’s the will,” he
said, “now for the ashes.”
I
thought my son would jump off the Ferry when Jerry pulled out a three
liter Almaden Chablis bottle full of Meyer’s earthly remains. “It
was hard getting the ashes into this bottle,” Jerry said, “but it
seemed so much more appropriate than the little black box they gave
me.”
“Oh
shit, Jerry,” Meyer Tee said, “this is getting weirder and
weirder.”
“This
is nothing,” Sandy said, “You should have been around for the
real thing.”
She
and Sugar hugged each other and laughed. They had known what was
going to happen—Jerry had filled them in—and they had been
enjoying Meyer Tee and me fall apart.
We
took turns scattering Meyer’s ashes into the wake of the Fort
Fisher Ferry. We got serious enough to wonder if Jerry should say
something, pray, talk to Jesus.
He
thought it over. “I don’t think so,” Jerry said. “Why don’t
we just talk to Meyer?”
That’s
what we did. We poured him little by little into the Gulf Stream and
talked to him as he swirled in the eddies and dispersed in the warm
water.
“Thank
you for all the money,” Meyer Tee said, “and for your name. You
must have been wonderfully weird to have these people love you so….”
Meyer Tee is a ‘guy’ kind of guy and I felt a catch in my throat
when I saw the tears on his face.
Sandy
poured out a little Meyer and said, softly, “thank you for my life,
for not giving up on me….” Her jaw tightened and tears ran down
her face too. Her chin looked anything but weak like that.
John
Henry poured and cried. “If I hadn’t met you, you old fucker….You
know the rest….”
“Don’t
fucking say ‘fucker’,” Jerry said, perfectly mimicking Meyer’s
voice. Then they both laughed.
By
the time it was my turn to pour, we were all crying and laughing at
the same time. The other people on the Ferry, few as they were, had
moved to the front of the boat. They weren’t sure about us. I
couldn’t think of anything to say, so I just listened as I
poured—to the sound of the Ferry’s engine, the ubiquitous call of
gulls, the splashes of the sea, the sob cat sobs of Sugar behind me,
waiting her turn.
Sugar
emptied the bottle. “Goodbye, Meyer, see you,” she said, her
words sailing off into the endless blue like this:
You
See
Meyer
Goodbye
We
all laughed, hoping so.
I
was the only one to notice that one of the great brown pelicans of
the Carolina’s shore was bobbing in the Ferry’s wake when Sugar
poured out the last of Meyer. As unthinkable as it was, he seemed to
be watching only her.
(iii.
On The Beach)
Reed
is sitting in a sand chair he bought at Rose’s for $8.79. Beside
him, half buried in the wet sand, is a can of Miller Light wrapped in
a cooler sleeve of sky blue that says on it, “UNC—I’d rather be
in Chapel Hill”.
But
Reed would not rather be in Chapel Hill, or anywhere on the planet,
on this staggeringly perfect early September afternoon. The air
temperature is 85 degrees Fahrenheit. The water is 83 degrees. There
is an eleven m.p.h. breeze off the Atlantic that is blowing coolly
over his body.
Reed
realizes, for the first time in his life, that he could always live
like this. He could buy the house he and Sandy are renting for cash.
The only time Reed ever took any money from his Trust Fund, managed
faithfully and prosperously by his father’s old partner George
Josephs back in Cleveland, was to buy the house in Buckhannon for
$29,000. He had called and asked “if maybe” he could afford that.
Since that was about a tenth of the income the fund would make that
year, George Josephs laughed and told Reed that was a real
possibility. Meyer’s legacy made Reed a millionaire in the two
digit range. $1000 a week rentals were pocket change to him, he
suddenly realized. In fact, he thought, half-dozing in the warmth of
the beach, he and Sandy could live anywhere they decided to live,
especially since she was rich now too, because of Meyer. Then another
sleepy thought hit—he and Sandy were quite happy on the combined
$37,187.54 they earned in 1988. They were upper-middle class in
Buckhannon.
Back
when Reed had called Mr. Josephs and asked sheepishly for $29,000,
George told him that was fine.
“Thank
you, Mr. Josephs,” Reed told him, long distance.
“You’re
welcome, Thomas,” Mr. Josephs replied, “and why don’t you call
me ‘George’?”
“Alright,”
Reed said, worrying about the cost of the call since it was still
morning and the rates hadn’t dropped. “Thank you, George.”
Sitting
there in the wondrous heat of North Carolina, Reed thinks about all
these things. But most of all he is thinking that his beer is empty
and he simply doesn’t have the energy to walk up to the house and
get another can of Miller Light.
Just
then, someone comes up on his right—out of the West since Long
Beach faces South—and holds out a can of beer.
“Thought
you might need this,” the newcomer says. Reed looks up at him, but
since he is standing in front of the setting sun, he can’t see him
well. But he thanks the stranger and pops open the can and takes a
long drink. It is only then that he realizes the beer is a Schlitz.
Beside
him, in the sand, on a matching sand chair—the one Sandy uses and
Reed thought was up at the house—is a tall, extremely pale man with
thinning blonde hair, even at his age, a moustache from the 60’s,
cut off-shorts and a tee-shirt with Chinese characters on it and an
eye patch over one eye.
“Nothing
like a beer in this heat,” the man says, turning to face him,
“though I could do with a bottle of homemade wine.”
“Meyer?”
Reed says, frightened, but not much.
“Didn’t
think I’d leave without saying goodbye, did you?” Meyer T Meyer
said, opening a Schlitz. “This may be my last chance at these,”
he says drinking deeply, “I can’t figure it out.”
Surprisingly,
given the circumstances, they sat in silence for a while, feeling the
breeze, watching a pelican who was flying high above them, playing
with the wind and air, soaring and floating and sliding from side to
side.
“He’s
with me,” Meyer said.
“Who?”
Reed asks. After all this time, Meyer still confuses him.
“The
bird,” Meyer answers before draining a can of Schlitz, “You’ll
see what I mean.”
The
pelican sweeps across the sky, passing in front of the setting sun,
playing with the air, moving above them and dipping low. His shadow
on the sand is elongated, huge.
“He’s
with you?” Reed asks.
“Just
you watch,” Meyer tells him.
They
sit in the sun for what may have been an hour or maybe a few minutes,
neither speaking. Meyer somehow produces Schlitz whenever one of them
is out of beer. They look up and down the beach. It is almost
deserted because it is nearly five o’clock, what they call in North
Carolina, supper time. Most everyone is inside their houses, out of
the vicious late-afternoon heat, broiling shrimp, steaming corn,
frying hamburgers and okra, grilling fish, baking meatloaves,
renewing age-old family rituals—bonding or struggling—hungry from
the heat of the day.
Besides
Reed and Meyer’s ghost there are only eight people in sight of them
on the beach. There is a family from Athens, Ohio—a gaunt,
sunburned young third grade teacher, his worried, tentative wife,
their twelve year old daughter in her first two piece bathing suit
and her six year old retarded brother. The family has discovered a
little tidal pool where eleven fish are held captive. There are
eleven minnows and one young spot. The parents are trying to get the
children to examine the fish. The boy and girl are frantically trying
to catch the creatures in green and yellow sand buckets because they
know that unless they can get the fish back to the receding ocean,
they will die.
Walking
toward them from east to west, is a 78 year old white man with
emphysema and heart disease. He is wearing, unaccountably, black
wing-tip shoes, thin black socks, long black trousers and a
ridiculous Hawaiian style shirt his daughter in law bought him in
Charlotte to brighten him up. His name is Fred and he has never
traveled outside of North Carolina and he has been waiting to die for
a decade, ever since his wife, Dolly, passed away. When Meyer takes
off, Fred will get his wish.
There
are two teenagers from Gatlinburg, Tennessee floating on matching
blue and yellow floats just a few feet beyond the gentle, low-tide
breakers. They are being carried by the current ever eastward, slowly
but inexorably. If they remained in the water long enough, the
receding tide’s complicated currents would carry them to the mouth
of the Cape Fear River, seven miles away. But they will come to their
senses long before that happens and arrive back at her parents’
rented house in time for a cold dinner and a stern lecture. She is 15
and he is 16 and her parents knew this was a bad, bad idea all along,
to bring a boyfriend to the beach. If they imagined the tangled
passion Bonny and Carl have known on the midnight beach, Mr. and Mrs.
Sloan would faint dead away.
The
only other person on the beach as Meyer and Reed drink mystical
Schlitz and watch the pelican circle, is a surf fisher from Grafton,
West Virginia. Grafton is less than 20 miles from Buckhannon and
though Harold Lee Sparks and Reed will never meet, they already know
some of the same people. In fact, Harold Lee has been unfaithful to
his wife of 17 years by sleeping with Peaches Calhoun, Reed’s chief
assistant at the Buckhannon Public Library. A Harold wades into the
surf and casts his line out beyond Bonny and Carl’s floats, he is
thinking of Peaches, of how she arches her hips to receive him inside
her. After Meyer takes off, Harold will become an evangelist for the
Assembly of God Church and break off his affair with Peaches. She
will mope and snap and be even more incompetent for several weeks and
Reed will never know why.
“So,
did you come to tell me a Profound Truth?” Reed asks Meyer’s
ghost, who is rapidly turning deep tan in the afternoon sun.
“No,”
Meyer answers. “I just dropped by to soak up some rays, drink some
beer and say good-bye.”
“That’s
all?” Reed asks, perplexed since he’s never talked to a ghost on
the beach, or anywhere.
“That’s
the whole deal,” Meyer’s ghost replies.
Sandpipers
and gulls are gorging themselves on sand fleas and small shell fish
they dig from the receding surf. Jerry and Sandy are over a mile
west, walking on the beach, talking about Jerry’s ministry and
Sandy’s art. John Henry is at Long Beach Pier, playing 8-ball for
$5 a game with a long-haired, deeply tanned young man from Gastonia
in an Atlanta Braves tee shirt. The boy’s girlfriend is, for the
first time in her life, finding a Black man attractive, alluring.
John Henry is charming her as he loses every other rack on purpose so
he doesn’t take all the boy’s money. The girl’s name is
Bridgett and John Henry is calling her ‘Miss Bridgett’ in as much
of a southern accent as a kid from Boston can manage and
complimenting her on her hair, which is long, sun-blonde and quite
fetching.
Meyer
Tee and Sugar are almost back from Wilmington, where they toured two
historic houses, looked at lots of antiques and walked around the
city. Meyer Tee is totally taken by Sugar since she is wearing a
sundress and even at 37, her vertebrae are like the tracks of some
exquisite creature in wet sand. Besides, even after three horribly
failed marriages, she is an innocent as a September day in North
Carolina is warm and long.
“What
does your tee shirt say?” Reed asks. He noticed that Meyer’s
suntan had faded and he was about to somehow disappear.
“It
says, ‘Remember Tiannmen Square’,” he says. “Aren’t you up
on current events?”
“You
know about Tiannmen Square,” Reed asks, innocently enough.
“I
was there,” Meyer responds. “Stood in front of a tank myself.”
“You
were in China?”
“I
was at the 200th
Anniversary of the French Revolution too,” Meyer answers, passing
yet another non-existent Schlitz to Reed. “It’s amazing what you
can do when you’re dead. I could go to Alaska and back and you’d
never miss me.”
Reed
looks at Meyer. He can almost see through him. Meyer is translucent,
like frosted glass.
“I
have the yataghan,” Reed says. “John Henry gave it to me.”
Meyer
laughs and becomes solid again. “I know,” he says, “took him a
while.”
“He’s
here—John Henry—and Jerry and Sugar too.”
“I
know,” Meyer answers. He looks straight at Reed. “I know most
everything. Being dead is like that.” He takes a long drink of beer
and burps. “Being dead isn’t anything like I imagined.”
“Nothing
ever is,” Reed says.
They
sit for a while, feeling the sea breeze play over their skin, before
Reed says, “Why are you still ‘here’? Do you have to…you
know…?”
Meyer
smiles broadly. His eye is slightly glazed from beer. “You mean
‘works of mercy’, something like that, to atone for my sins?”
“Something
like that,” Reed says, embarrassed. “That’s what I mean….”
“Beats
me, Big Reed. I’ve mostly traveled around, wherever I wanted,
seeing things. That’s something I don’t know—why I’m still
here. Maybe the computer is down. Maybe it’s like Motor Vehicles,
backed up with paperwork and bad help.” He pauses to glance up at
the pelican. “But I know
we’ll be going soon.”
“You
said ‘we’—you mean you and the Pelican?”
Meyer
howls. “Oh, that fucker’s been atoning alright. Big time.” When
he stops laughing, he adds, almost gently, “but it’s almost over
for him too….”
Reed
is at a loss about what to say. He is the verbal equivalent of
illiterate at that moment. He realizes, even then, that he’ll spend
the rest of his life thinking of questions he should have asked Meyer
when he had the chance.
“About
that crooked knife,” Meyer says, “promise me this—you’ll take
it out to the end of that pier up there and feed it to the sharks.
Otherwise, more throats will be cut.”
“I
promise,” Reed says. He has, after all, become a Promise Keeper.
“I’d
do it myself,” Meyer muses, “but I’m not able to carry anything
heavier than a six-pack and I can’t walk on wood. Imagine that.”
Reed
imagines not being able to walk on wood, but not successfully. “No
kidding,” he says.
“The
Dead don’t ‘kid’,” Meyer snaps. “That’s another thing I’m
going to want to find out about. Someone has some explaining to do.”
Reed
stares at the pier in the distance. “Did you know…,” he begins.
“That’s
the longest pier in North Carolina?” Meyer interrupts, growing
annoyed. “I know shit like that, Reed. I just don’t know why I
can’t walk on wood and I’m a little discombobulated about what’s
about to happen.”
A
moment or two later, Meyer gets up and says, “Well, got to go….”
“Already?”
Reed asks. “Everyone will be back soon. Can’t you wait? Stay for
dinner? Have a swim?”
“Can’t
let them see me. Can’t wait. Never hungry when you’re dead. The
water here is too damn warm,” Meyer answers, walking toward the
Atlantic.
Reed
struggles from his sand chair. He is a little high on the phantom
Schlitz and has reached an age when he is not graceful rising from a
sand chair, even though he’s in fine health. He follows Meyer’s
foot prints in the sand down to the water.
“Watch
this,” Meyer says, turning to face him. Meyer turns an electric
blue and then a flame orange and then seems to disappear for a moment
altogether. When he rematerializes, there is the small of lemons and
fried bacon in the air.
“Death
is the ultimate trip,” Meyer says, laughing. “By the way, you and
Sandy will live into your early nineties and die three days apart. I
won’t tell you who goes first, but his name is Thomas. I’ll see
you then.”
“What
about Meyer Tee?” Reed asks, anxious and desperate to keep Meyer
longer.
“My
namesake,” Meyer says, fully present, smiling like a sun-tanned
walrus and searching the sky for the pelican. “He’ll be fine.
He’ll live in Portugal for a while and marry there. Then he’ll
come back and either be a history professor at Williams or a short
order cook at an International House of Pancakes in Wisconsin.”
“Either?”
Reed says, almost yelling, “you don’t know which?”
“I’m
new at being dead,” Meyer says, flickering into blue and orange and
nothingness again. His voice continues when he’s gone like the
Cheshire Cat. “Check with me in a millennium or so.”
Then
he is back and they are standing in the gentle low-tide surf. The
water is very warm. The pelican is skimming the water ten yards or so
beyond them. He dives for a fish and floats on the waves, eating.
“By
the way, don’t get too attached to anything,” Meyer says.
“I
won’t,” Reed promises, already lying.
Meyer
lifts his eye patch. His bad eye isn’t milky white anymore. It is
clear and whole, the color of the sky above North Carolina and
focused on Reed. “Of course you will,” he says, smiling,” we
all do.”
Meyer
turns and holds out his arms. He rises twelve feet, maybe more, off
the sand. Then he floats back down. He is laughing as hard as he can.
“Did I tell you that damned bird is Pierce?” he says. “Remember
how he hated sea-food and feared heights?”
Reed
nods, remembering some of that.
“So
he’s had to hang around waiting for me in a series of seabird
bodies. He’s really pissed about it.” Meyer shakes his head,
“Whoever is in charge of this mess has a really nasty sense of
irony.”
“Oh,
we’re both going ‘home’ now,” Meyer says, grinning
maniacally, “whatever that means….”
Sugar
and Meyer Tee are passing the Red and White, turning down to Beach
Road. They both feel a shiver they don’t mention. John Henry
unintentionally scratches on the 8-ball. He’s down $10. Jerry and
Sandy turn back toward the Nautilus. They both find it suddenly hard
to breathe. But none of those see Meyer’s ghost take off.
Bonny
and Carl, on their floats, don’t see it either, though they are
very close to the event. They are staring into each other’s eyes,
remembering stolen touches. Had they only looked up, they would have
known that their relationship would end in an ugly marriage and
bitter divorce and would have broken up when they got back to
Tennessee.
The
two school teachers from Ohio don’t see Meyer ascend because he is
distracted by his sunburn and she is worried about what to do about
dinner. But their children turn and watch it all. Dianna, their 12
year old, begins to write poetry that night. Years later, critics
will compare her to Denise Levertov and call her the “Ann Sexton of
the Midwest”. Sugar will buy all Dianne’s thin books and admire
her as she grows old.
The
school teachers’ son, Ralph, who has been categorized as mildly
retarded his whole life, will test well above average on an IQ test
in October. He will go on to graduate third in his class at Columbia
Law School and be appointed to the Federal Bench before his 45th
birthday.
Frank
Carter, the retired baker from Raleigh, wearing the hideous Hawaiian
shirt, watches Meyer go. He walks back to the house where his son and
daughter-in-law are, sits on a rickety lawn chair, removes his
wingtips and dies of natural causes. Meyer and Pierce will circle for
a while near the sun, waiting for Frank to catch up.
Harold
Sparks sees Meyer and mistakes him for a beatific vision of Jesus. He
will declare himself an Evangelist and bring hundreds of people to
know the Lord through his testimony and preaching. He will remain
loyal to his wife and Peaches will find a new lover, after a time,
Dan from the Exxon Station.
All
Reed will do is follow Meyer’s rapidly fading footprints back to
the sand chairs, collect the empty Schlitz cans and put them in the
garbage before anyone gets back to the Nautilus. By the time the
trash is put out the next morning, the Schlitz cans will be gone, as
if they never existed.
Then
Reed will go to his room and take the Yataghan from beneath his bed,
walk down to the longest pier in North Carolina and throw it to the
sharks, breaking over seven centuries of Curse. Even after all that,
he’ll be back before anyone else gets home.
When
Reed goes into the house, the red light on the phone message machine
is blinking. He rewinds the tape and pushes ‘play’. It’s Meyer:
“By the way, Big Reed, Sandy is pregnant. Don’t tell her I told
you. Congratulations! It’s a girl and you’ll either name her
Caroline and call her ‘Carrie’ or Brumhilda and call her ‘Broom’,
not sure which. Have a good life. By the way, the tape is already
erased, Mr. Phelps.”
But
before all that, Reed watches Meyer rise effortlessly into the warm
afternoon air. He glides and swoops and follows the pelican in a
looping pattern far out over the sea. Another figure joins them and
they all fly west and disappear into the sun.
The
sun seems so bright it is white to Reed. So very, very white. And
Forever.
(iv.
Suppertime)
We
were all sitting around the big table, having supper, like nothing
much had happened, like Meyer hadn’t ascended and Pierce hadn’t
been freed from his pelican body.
There
was lots of steamed shrimp that Jerry bought at Bertha’s Seafood
earlier in the day. And there were two dozen crabs that Meyer Tee and
John Henry and I had harvested just passed dawn, as the tide turned
around, using rotten chicken on twine and crab nets. We ruined our
sneakers in the muck and Meyer Tee and I sun burned our shoulders and
noses. John Henry wore a long sleeved shirt and a wide-brimmed hat
crabbing. He said African-Americans revered and respected the sun
more than white boys. He was right, but we all had shrimp bites on
our ankles and calves.
There
was fresh field corn Sandy found at one of the roadside stands. All
that was piled on the table, steaming and luscious, on top of pages
from The
Charlotte Observer,
the best newspaper in the south. Sugar had put little bowls of melted
butter around the table. We shelled shrimp and crab and dipped them
in the butter. From time to time, someone broke an ear of white corn
in two and rolled it in the butter. We were all drinking beer. None
of it was Schlitz. Some was Miller Light and some was Corona, with
limes Meyer Tee had rushed to the Red and White to buy. That was our
supper. It was more than enough.
Tossing
a shrimp in my mouth, I glanced around the table. Besides my mother,
my sister and her girlfriend and Miss Carrie Justice, I decided I
couldn’t imagine a table with more people that I loved, within
reaching distance, eating intently.
Then
I thought of Meyer.
“Shit,”
I said to myself, but I accidentally said it out loud, “I forgot to
ask him what he thought about the book.”
“Forgot
what?” Sugar said.
“Who
do you mean?” Jerry asked.
“What
book?” John Henry queried, breaking an ear of corn in two.
“What
are you talking about?” Meyer Tee said, struggling with a crab
claw.
Sandy
never looked up, much less said something.
“Forget
it,” I said, “just thinking out loud.”
And
they all, except Sandy, forgot it.
“You
know,” I said a while later, “I realized today that I have lots
of money.”
No
one reacted. They had all realized that long ago.
“So,”
I said, disappointed in their lack of reaction, “I think I’ll
give some of it away.”
“We’ll
take $100,000,” John Henry said, biting into corn.
“Make
that a quarter of a million,” Jerry said, sucking the sweet meat
out of a crab leg. “Lots of folks with AIDS.”
“How
about $250,000 a year for four years?” I asked, feeling generous.
Jerry and John Henry whooped.
“I’m
going to give what Meyer gave me to Newman and other people who work
with heroin addicts,” Sandy said.
“All
of it?” I heard myself asking, Midwestern to the core.
Sandy
and everyone else laughed. “Reed, you’ll still be rich. I don’t
even like money.”
Meyer
Tee washed down whatever he was eating with Corona beer and said, “I
just need enough money to not have to depend on Mom and Dad, so I’ll
probably give lots of it away. But I think I’ll take a little of
the money Meyer gave me and live in Portugal for a while. I don’t
know why, but I want to go there.”
Sugar
looked at me. A kernel of corn was stuck on her front teeth. Sandy
reached over and picked it off with a fingernail. “Two of my
divorces have been very financially advantageous,” she said. I
didn’t even know Sugar knew the word financially,
much less advantageous,
like most things in my life, I had underestimated her. “So I’m
going to give some money to people who deal with runaway girls. But,
before that, I might go to Portugal with Meyer Tee. I speak the
language and there is something about the sky in Portugal you can
never forget.”
We
ate for a while. It all tasted like the food of the gods, like
manna—the shrimp and the crab and the corn. Even the beer was like
golden mead.
Deep
in the night, about half-passed sleep, Sandy nudged me awake. I was
at least five beers beyond sober. The room was swimming a bit,
against the tide of how our bed was swimming.
“You
saw him, didn’t you?” Sandy whispered. She didn’t need to
whisper. Our room in the enormous Nautilus was far away from any
other room. It was cool from soundless central air. It was dark and
you could hear the sea.
“Saw
who?”
“Saw
who?
Don’t be crazy, you saw Meyer.”
“Our
son?”
“No,
moron, Meyer T Meyer. You forgot to ask him about the book. I
remember what you said. Did you see him?”
“I
guess so, after a fashion,” I said, mouth full of cotton.
“I
knew it!” she said, sitting up in bed, the sheet slipping and
revealing her breasts and her almost concave stomach. She was as
beautiful to me as the first time I ever saw her, on a rock wall, so
long ago.
“Don’t
you understand?” she asked, urgently.
“Your
breasts are so lovely,” I said.
She
sighed and dropped her shoulders. Her breasts dropped with them. “Are
you too drunk to listen?”
I
really didn’t think so, though I probably was, so I told her I
could listen.
“Meyer
didn’t care about the book,” she said, extremely excited, her
shoulders and breasts rising. “He only cared about ‘the Promise’.
And you have almost kept the Promise. That’s why he showed up to
you today.”
“Almost?”
I asked, confused.
“There
is still The Parade,” Sandy said. She said it like a prayer, a
mantra, something Holy.
I
mumbled something about the parade and she told me, “Go to sleep.
When you’re better we’ll talk again.”
I
did. And we did.
I
woke up at 6 a.m. Light was beginning to fill the room. Sandy was
sitting on the edge of the bed, a sheet wrapped around her. I knew
she’s kept vigil through the night.
“Good
morning, Reed,” she said. “Do you remember now about the
promise?”
“Yes.”
“And
about the parade? Do you understand there has to be a parade?”
“Yes,”
I said, and I meant it.
Alright,”
she said, taking my hand, “you may touch me here…and here…and
here….”
It
was just past 8 when I woke up again. Sandy was in the bathroom,
being sick. I rushed to the door. On the way I heard the toilet
flush.
She
was nude, sitting on the floor, rubbing her face with a towel.
“Don’t
be worried, Reed,” she said, beginning to laugh. “It’s not the
seafood. I’m just pregnant.”
THIRTEEN
THE PARADE
It
is an unassuming parade—nine people with instruments they don’t
play well; two clowns—both girls—in gypsy skirts with red dots on
their cheeks, smiles painted on their mouths and fake red noses; a
drum major wearing a Union Army Cape, an eye patch and a Boston Red
Sox cap—and, instead of a baton, he is carrying a hockey stick; two
majorettes—both skinny and old—in short skirts, support stockings
and pushing IV carts along with them, but they are graceful and gay;
and a juggler—a distinguished man of seventy with gray hair and a
stark, Old World face.
The
juggler leads the parade. He is wearing purple tights and juggling
four red balls and he never drops one. Not ever. And he always smiles
at children. There is a pregnant woman right behind him. She wears
delicate, gold wire rim glasses, but she still squints. She moves
with great care, as if she thinks she is larger than she is. She is
lovely, except for her chin, which someone who did not know her might
call weak.
Eight
of the band members—a trombone, two flutes, a snare drum, an
accordion, a trumpet, a glockenspiel and a bongo drummer who doubles
on kazoo—are all Freaks. They wear sneakers and head-bands and one
wears a Harpo Marx top-hat. They have many rings and bracelets and
most have medallions around their necks, swinging as they march. They
all—the whole troop of them—march with quick, jerky, little-kid’s
feet steps, moving their shoulders, enjoying themselves immensely.
The
ninth band member is extremely old. He has only four teeth in his
whole mouth and two of them are so yellow they could pass for gold.
He is completely hairless. Not even his beard grows anymore because
he is so old. He is playing a strange instrument that seems to be a
car part but sounds like a banjo.
They
march toward you, and already there are dogs and cats and old,
hunchbacked ladies and policemen and nurses and a fish butcher and a
basketball player reading a book as he dribbles. There is a little
French girl and a little mountain girl, holding hands and skipping
and laughing. There is a priest in shorts talking with a man who, in
spite of his John’s Hopkins University sweatshirt, looks a lot like
Yogi Berra. There is a remarkably beautiful green-eyed woman, looking
much younger than her age, holding hands with a younger man who is
grinning to beat the band. There is a mother with her five mystical
daughters, all carrying candles that won’t blow out even in the
strongest wind. There is a man, smiling broadly, carrying mountain
climbing gear and giving out slices of bread to everyone along the
route. There are people in strange clothes and people with no clothes
and a man with half-a-face and a Freak pushing a cart with a bucket
of water on it to water the flowers along the way.
There
are people speaking strange languages that are all hisses and
languages with no consonants and languages like bird songs. There is
a little Black boy, smoking a cigarette, carrying a green leather
case. There are people wearing turbans and people whose skin is the
color of cocoa and coconuts and wheat growing and the midnight sky.
There is a tall man who looks Native American holding hands with
another man who looks in the prime of life. There are two college
professors—both women—holding hands and waiting for an older
woman to light a Kent. The three of them are with a lawyer, carrying
his briefcase, waving at the crowd. There is a mute, pulling a small
train with train cars full of bananas. There is a Black man with a
huge German Shepherd walking next to a teenager in a letter man's
sweater holding hands with a cheerleader. Inexplicably, the letter
man is leading a buffalo who snorts and waddles and almost grins at
you. There is even a bare-footed old man in a ridiculous Hawaiian
shirt pointing to a pelican circling above him in the sky. People are
tossing softballs around, never missing them, making astonishing
catches, laughing at their luck, their skill, their magic. A cowboy
is in the midst of them and everyone feels good. And there is a man,
thin and pale, with a hand-held camera, making a movie of the parade.
All
of them are part of the parade.
The
drum major has fallen behind and is moving through the crowd toward
you. He is tall and thin and has a white mustache that somehow makes
him look like an albino walrus. He winks at you with his good eye and
hands you something cold and heavy. Then he hurries away, back to the
front of the parade with a nurse with remarkable red hair.
And
there, there in the back of the parade, just after the enormous,
sleepy looking dog and a cat and her three kittens—not keeping up
because they keep finding remarkable things to investigate, as
kittens do—just there, where you are, behind all the noise and
gaiety, surrounded by a pure circle of light…surrounded by a
perfectly round circle of Silence and Truth and Light…there is a
young girl, no more than eleven.
She
is wearing a light blue ballerina’s dress and matching ballet
slippers and she is beautiful—dark and frail and grave. And in her
impeccable sphere of Harmony, surrounded by all the cacophony and all
the mad celebration and ritual and bells and masks and marching and
laughing, she dances.
She
dances.
She
dances and dances, slowly turning, winning your heart, making you
love her although she is so terribly grave. She is as graceful as
falling snow, as a swan in brown water, as the rhythms of the sea, as
the smile of a joyful friend, as that touch you and I cannot
understand or explain—that touch which heals and soothes and makes
whole with grace alone.
And
you love her. In that perfect sphere, she is the most perfect thing
in the universe. And you watch her, bringing up the end of the
parade, unaffected by the chaos up ahead. And you love her.
Then
you realize what you are carrying, what that madman of a saint of a
walrus of a drum major has given you. You are carrying the brace the
young dancer must wear on her back, the brace for her spine, crooked
since birth, since the womb, since conception, the brace she wears
every moment she is not dancing….Dancing….Dancing….
The
parade turns a corner, circles a church, and emerges into a green and
open vale.
People
are laughing, singing, cheering….
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