Mimi's home
Which is always good. She is my love. I love Josh too, terribly much,
but Mimi just slips into our lives and barely makes a wave and is so
welcomed.
I probably did before, but I'll share again, a poem I wrote about her on
her birthday when she was in Japan with the American Ballet Theater.
PHOTOS OF MIMI
The house
is full of pictures of her.
In some
of them, she is a tiny, chubby baby.
In
others, she is a little girl possessed.
In one
she gains speed, running
down a
hill in front of my father's house,
her
tongue out, her blonde hair flying,
her small
arms churning
like the
wind.
In
another, taken the same day,
she is
solemn, not looking at the camera,
considering
something out of the frame,
unsmiling,
gazing at the future, perhaps.
She grows
through the pictures—though they are random
on the
walls and shelves, so she doesn't grow evenly.
A
beautiful, awkward teen, smiling in spite of braces,
her jeans
decorated in ink, a hole at the knees,
her shoes
half-tied, embarrassed, I think, by the camera.
There is
a sagging Jack-O-Lantern at her side,
smiling a
smile as crooked as her own.
A whole
group pictures when she was finishing
high
school—a lovely, wistful, long-haired girl
exploding
gracefully into life and what comes next.
I love
the photo from her college graduation,
the four
of us, this little family, her brother posing,
Mimi—short-hair
and sun-glasses—smiling.
Just the
four of us, a tiny clan, so different and distinct,
frozen in
time on a mountain in Vermont, timeless, eternal.
I walked
around the house today, looking for her visage--
bride's
maid at Josh's wedding, clowning in a hotel doorway,
holding
one niece or another with her boyfriend
(she
natural, laughing, Morgan content on her lap,
Tim is a
bit anxious and Emma is pulling away from him),
sitting
on our back deck at an age I can't remember
when her
hair was a color not found in nature,
and she
is, as always glancing away from the camera,
playing
on the beach as a toddler, sandy, nude,
hands in
the sand, staring backward through her legs
(a photo
a camera shy person would hate later on!)
I made my
circuit, stopping before each photograph,
amazed at
the memories that leaped out of the frames
and
enthralled me.
Amazed
more that such a beautiful child and woman
could
have lived with me so long
and left
imprints on my heart so deep.
She is
half-a-world away.
In a land
I can only faintly imagine.
I will
not talk with her today—her nativity day.
I cannot
even remember, as I gaze at photos,
if it is
today or tomorrow in Japan.
Or
yesterday.
Then
there is the photo I love most.
It is
pinned to the cork board beside my desk,
where I
sit and write.
She is
framed in a glass doorway. Her hair is long.
I can't
remember how old she way—in college, perhaps--
and
beyond the door you see, fully lit, dunes of Nantucket.
Mimi is
in shadow, almost a silhouette cut from dark paper,
in full
profile. Only the back of her hair is in sunlight,
shining,
translucent, moving in the wind.
I love
that picture because it is Mimi stepping through the
Door of
Life, moving away from the infant shots,
the
little girl, the teenaged child,
moving
into life beyond me...half a world away.
All grown
and still, all new....
jgb/July
21, 2008