HOLY WEEK
“Sometimes
you get what you want, and
sometimes you get
what you don’t want.
But one thing’s
sure, Reed, you always
get what you
get.”—Sandy Killingworth
(how
it turned out this way)
When
it
was
all over, back in the autumn of 1969, when Newman brought Sandy back
to an empty Igloo Factory, she and Reed nestled like bright blue eggs
in their bed for the last time. They were so happy and sad that they
stayed up all night talking in a darkness as complete as the darkness
deep inside of us, as complete as the darkness inside our hearts,
throbbing with black blood. The throbbing of their hearts was matched
by the throbbing of the blinking light on the top of the Prudential
Center far across the River Charles in Boston. The bed was situated
so that they could see the Pru out in the darkness.
“The
Pru is like a heartbeat in the darkness,” Reed said. They had
talked so long, so much, he was down to thoughts like that.
Sandy
laughed and hugged him. “The heart of darkness,” she said. They
laughed and hugged a lot. It started in the afternoon after Newman
went back to Rockport and lasted all night, all alone in the skeleton
that was once the Igloo Factory.
“You’re
like that for me,” Reed said, practicing being romantic, “you’re
my light of a heartbeat deep inside where it’s dark.”
Sandy
smiled and kissed him. He couldn’t see her smile, it was too dark.
But he felt the smile in her kiss. “That’s nice,” she said,
“being literate makes you romantic.”
“No,”
he said, “you make me romantic.”
Smiles
and kisses all around.
In
the darkness, Reed started thinking about the new high school anatomy
book he’d cataloged at Byerly Library the week before Sandy came
home. It was printed on thick, glossy pages—like Vogue
or National
Geographic.
It had that wondrous scent of unturned pages and was full of bright
drawings of the things inside people. In the middle of the book there
was a human body consisting of a series of transparencies. The first
sheet showed the circulatory system—fire-engine red arteries,
bishop-purple veins and evening-sky pink capillaries. Another page
showed the nerves in green—June grass green, green apple green, the
green of Sugar’s eyes. Then all the major organs in a rainbow of
reds and blues and the bluish white of the brain.
Reed
turned the pages back and forth, transfixed by the brightness of the
body until it occurred to him that our insides are brightly colored
at all. Inside, covered by skin and muscle and fat, it is as dark as
a thousand midnights. Ten thousand. That dark. He remembered someone
telling him when he was small and worried about bleeding that blood
isn’t red inside us—it’s black. He didn’t even know if that
were true and didn’t remember who told him, but he remembered
telling his sister, Caroline one night before he went to Massanuttin,
that her blood was black. She was young and it frightened her to
think of black blood. Reed’s mother warned him sternly not to scare
‘the baby’. Their mother called Caroline ‘the baby’ until she
went away to college. Reed imagines that she tells the ladies in her
bridge club about her children—Reed and ‘the baby’.
Percy
came over and asked Reed what he was looking at. Reed showed him the
overlays and told him they were lies. “We’re dark inside, Percy.
There’s no light down there.”
Percy
looked at him as if he had suggested the mass slaughter of baby ducks
and robbing old ladies’ of their food stamps. “That, Reed,” is
a bizarre thought.” The rest of the day, Reed would catch Percy
staring at him from behind the stacks.
When
Reed got home that day, Jerry was there. Jerry and Reed were the last
two people living at the Igloo Factory and Jerry was packing. He had
good news and bad news.
“Newman
just called,” he said, “Sandy’s coming back in a few days. So I
can go now.”
Reed
told him about the book and the overlays and how we’re all dark
inside. Jerry stopped packing and stared at him with his metallic
eyes. He stared so long Reed was afraid he might get a head-ache. At
long last he spoke.
“Jesus,
Reed,” he said, “Sandy better hurry back, you’re on the edge.”
Reed
hadn’t told anyone else about the book until he was in the darkness
with Sandy, her arm across his chest, her breath warm on his face,
smelling inexplicably of garlic and wildflowers. Reed decided to tell
her about the book.
“You
know we’re all dark inside, don’t you?”
“You
mean like our inner longings and fears?”
“No,
I mean like our kidneys and spleen. There’s no light inside us.”
She
snuggled closer. Her body—for a dark thing—was warm and soft. “I
know,” she said, “all those pictures in biology books are
fabrications.” Reed smiled and kissed her.
The
next day they locked up the house and dropped the keys by Brigham’s.
It was a Sunday—the bells of Cambridge and Boston had been
announcing it all morning—so none of the children were at OZ. The
only naked people there were Brigham, Monique, Leslie and Charity.
Reed and Sandy stayed long enough to have orange juice and bagels and
Monique’s dark, sweet coffee, but not long enough to need to
undress. Reed still had reservations about being nude.
“You
could stay if you wanted to,” Brigham said, chewing a raisin bagel.
He had too much cream cheese on it and it spilled on his hairy chest.
“You
mean here? Stay here?” Reed asked, dreading a life of nakedness.
“No,
at the Factory,” he said. “The lawyers finally forced the
Commonwealth to release Meyer’s assets—with interest at that.
Beer and Coke could flow again. I have his Power of Attorney.
Sandy
and Reed looked at each other. She pursed her lips and shook her head
slightly. He agreed.
“It’s
not the Factory any more,” Reed told Brigham. “Meyer was the
Factory. Without him it’s just a big old house with two many
rooms.”
He
nodded. Some of the cream cheese fell off his chest onto his lap. He
reached down and scooped it off his genitals and licked it of his
fingers. Leslie and Monique exploded into laughter. Charity rolled
her eyes and said, “O Papa!”
Brigham
blushed. You could see the red rising around his eyes though his
beard covered most of it. “It wasn’t so bad,” he said, joining
the laughter.
They
said goodbye inside the front door. None of them followed Reed and
Sandy outside to wave. People who are nude a lot learn where to make
their farewells. They all hugged the travelers and wished them well.
Reed held Charity in his arms and she laid her cheek against his for
a long time. She even tried to whisper something to him in English,
but she got the pronunciations all wrong and he didn’t understand
her.
“Where
are you going?” Leslie asked.
“Buckhannon,
West Virginia, to see a grave and a buffalo,” Sandy told him, “then
to Cleveland.”
“To
see my mother and sister,” Reed added. “Then Idaho—the Bitter
Range, Salmon, I think.”
“I
hope you beat the snows,” Brigham said. Then he handed Sandy a
thick manila envelope with their names on it. They thanked him and
Sandy opened it somewhere on the Mass Pike. It had 50 new $100 bills
and a note from Brigham in it. The note said, “Happy Trails to
you!” Charity had drawn and horse and rider on the note.
“Roy
Rogers,” Sandy said. Reed nodded.hey drove the Factory’s VW
bus—signed over by Brigham with Meyer’s Power of Attorney—to
West Virginia and found Buckhannon with little trouble. They also
found Lysander’s grave without problems, though Reed didn’t want
to stay there as long as he thought he would. Finding the buffalo
proved harder since most of the people in Buckhannon tended to take
the buffalo for granted. After the third set of wrong directions,
Reed realized that if anyone had pulled up in front of the Igloo
Factory and asked how to find Harvard he would have offered to lead
them there, but it would have been hard to tell them how to do it on
their own.
Finally,
after asking several friendly people how to get there, they found the
buffalo’s field. It was a chilly day, damp and cloudy. The buffalo
was far off at the other end of the field, standing absolutely still
and thinking buffalo thoughts. Sandy stared through the gloom for a
long time, then, ignoring all the signs, climbed the wooden gate and
started walking toward the huge creature. As soon as she was in his
field, the buffalo looked up and started to lumber toward her. Reed
shouted after her and started to climb the fence, but she turned
around and told him not to come.
She
waited in the middle of the field and the buffalo stopped about five
yards from her. They stood staring at each other for several minutes.
Then Sandy held out her hand and he started toward her. After a step
or two, the enormous beast paused and backed away. They stared again,
stock still, until Sandy turned and started back toward the fence and
Reed. The buffalo followed, but every time Sandy stopped, he stopped.
Only after Sandy was back on the outside of the fence did he come
over and let her touch him.
“So
big and powerful,” she said, “but he needs his fence to feel
safe.”
Reed
touched the buffalo tentatively. He didn’t like Reed as much as
Sandy, but let him rub his side. His outer hair was coarse and think,
like a thin rope, but underneath, near the skin, it was fleecy, like
down, like a child’s hair.
Cleveland
was even easier to find than Buckhannon and Reed knew exactly where
his mother’s house was. Sandy came to life and filled their week
there with light and laughter. Mrs. Daley gave them separate rooms,
as Reed knew she would, but never mentioned that the guest room where
Sandy was supposed to sleep was never used.
Caroline
and Sandy were magic from the beginning. Caroline had obviously been
longing for a sibling her whole life, and since Reed had been a bad
brother even on his occasional visits to Cleveland, she adopted
Sandy. They would walk around the neighborhood for hours while Reed
and Mrs. Daley drank coffee and she smoked Kent cigarettes. Whenever
Sandy and Caroline were out, the two of them spoke in code—single
words of sad syllables. But when Sandy was there, they all laughed,
stayed up late, played Scrabble.
Reed
always won at Scrabble, even when he tried not to. Once, as he was
playing “ZYGOTE” with double letter for the Z and triple word and
about a million points, Mrs. Daley turned to Sandy and asked,
exasperated since he’d taken the lead from her, “He never really
forgot how to read, did he?”
“Not
for a moment,” Sandy said, studying her tiles, “but he pretended
well. You would have been proud of him.” The two of them laughed
like banshees howling at the moon.
My
mother and Caroline followed us to the VW when we were leaving. Since
they normally wore clothes, they could come outside to say good-bye.
“Idaho
seems so far away,” my mother said, “we’ll never see you….”
“Oh,
we’re not going to Idaho,” Sandy told her, touching her hand,
something Reed didn’t often do. “We’re going back to Buckhannon
to get married and settle down.”
Mrs.
Daley beamed and kissed her on the cheek. “West Virginia isn’t
far at all,” she said. “Why didn’t you tell me, Reed?”
“He
didn’t know,” Sandy said quickly. “He just found out.”
Caroline
was on Reed’s side of the car. She giggled and jumped up and down.
“Oh Sandy,” she squealed, “you’re marrying my brother! Can I
come?”
“You
bet you can,” Sandy said, “maid of honor.”
“Promise?”
Caroline yelled, her nails digging into Reed’s arm.
“Scout’s
honor,” Sandy said, holding up three fingers of her right hand.
They had to hang around for another half-hour being hugged and fussed
over. Mrs. Daley was wiping her cheeks with the back of her hand when
they finally pulled away.
They
drove in silence until Reed saw an intersection ahead with lots of
road signs. One of them said “to I-80-W Sandusky/Toledo” and
another said “to I-77-S Akron”. Reed was so upset, he didn’t
even notice the name of the birthplace of Krista Saulstein on the
sign. There were several other signs saying different things, but
those were the only two that mattered. West on I-80 would take them
across Ohio toward Chicago, hell-bent on Idaho. South on I-77 would
lead them back the way they’d come.
“Which
way are we going?” Reed asked Sandy. His voice was harsh. It was
the first time he’d been angry with her since she’d come back
from Rockport.
“Which
way do you think?” she said, practically cooing, her voice soft and
loving.
“I
want to go to Idaho,” he said.
She
grew grave and touched his hand, which was gripping the gear shift
tightly.
“Sometimes
you get what you want,”
she said, rubbing his knuckles with her finger-tips, “and sometimes
you get what you don’t
want.
But always, Reed, you get what you get.”
“And
what do I ‘get’?” he asked, petulant as a child.
“You
get a buffalo and a wife,” she said, “and a baby boy I think we
should name Meyer. That’s what.”
A
shiver ran through him. He couldn’t have named it if he tried. “A
baby boy?”
“Maybe
a girl,” she said, matter-of-factly, “but I don’t think so.”
“But
already…I mean…in two weeks…can you…how do you…you know…?”
She
laughed and shook her head. Her hair fell across her face and she
pushed it back to look at him. “I love you literate,” she said.
Reed
took a deep breath, suppressing tears, and drove south. Twenty miles
later she said, “I don’t know how I know, but I know.”
He
reached across and touched her stomach. He didn’t know how he knew,
but he knew she was right.
They
bought a little three-bedroom log house in Buckhannon from Reed’s
trust fund and he found a job at the Buckhannon Public Library solely
on the word of a phone call and letter from Percy. Within a week,
Sandy had started throwing up every morning like clockwork. A month
later, according to the waiting period required by Canon Law, Fr.
Jose Hernandez, an Episcopal priest, married them. Caroline was the
Maid of Honor, looking so grown up in her pale blue silk dress. Sandy
wore a white cotton Indian dress and left her hair loose. Jerry drove
down without major accidents to give Sandy away. Sandy’s mother’s
phone was disconnected and mail to her last address came back
undeliverable. Even Sandy’s Uncle Joseph in Tacoma, who was hard
enough to track down, had no idea where her mother was. Reed imagined
that was why Sandy cried all through the Episcopal ritual, though at
the time he told himself it was because she was so happy.
Jerry
and Fr. Hernandez got roaring drunk back at the couples’ house,
shocking Reed’s mother’s sensibilities about priests. Just before
dark, Sandy and Reed took Caroline to see the buffalo. It was chill
and sleeting and he wouldn’t come near the fence.
“I
want to pet him,” Caroline said.
“Sometimes,
Caroline,” Reed said, “you get what you want and sometimes….”
Sandy
interrupted him with a soft kiss. “She knows all that,” she
whispered, ‘trust me on this.”
Just
over seven months later, Meyer Tee Killingworth-Daley was born. Then
time passed.
(Palm
Sunday 1969)
The
Saturday night after Sandy and Reed walked down to the Charles, she
came home from Boston and didn’t sleep at all. She sat by the
window like a picture of a sleepless woman smoking cigarettes. There
were no tears left in her. Reed watched her for hours, resisting
sleep until his eyes filled with cobwebs and he fell into darkness.
He dreamed that he and Sandy were two swans in brown water. Even in
the dream, as a swan, he knew swans mate for life.
When
Reed woke up, it was Sunday and Sandy was gone. He went downstairs
and ate cold grilled cheese and tomato sandwiches with Sugar. There
were piles of grilled cheese and tomato sandwiches Marvin Gardens had
cooked in the wee hours. Sugar told Reed about Krista’s vibrations.
“Krista’s
been getting heavy vibrations about Sandy. She didn’t want to
frighten you, but she told me. Heavy vibrations—you know what I
mean?”
Reed
said he knew, he’d felt them too.
“Where’s
Sandy now?” he asked. “Do you know?”
“She
left early,” Sugar said, her tongue trying to free a tomato seed
from between her front teeth. “She had Pajamas and the kittens in a
big cardboard soup box.”’
Reed
realized he hadn’t even missed the cats when he woke up. He was
sleepy and having a hard time noticing things.
After
breakfast, he sat on the curb like a wine bottle and waited. He made
some sounds to pass the time—subways, passing buses, pigeons
cooing, church bells, sirens. John Henry wandered by and sat for a
while listening to Reed’s noises. He didn’t say anything. He just
sat and listened to the sounds.
Sandy
came back as all the Cambridge bells were sounding noon. Though it
was a warm, last-day-of-March spring day, she was wrapped like a
cabbage in her winter coat.
“Hi,”
Reed said, trying to sound nonchalant. “Where you been?”
Sandy
stopped beside him but turned her head so she didn’t look at him.
“Walking.”
“Clearing
dust?”
“Just
walking.”
“Where
are the kittens?” Reed asked, trying hard to sound disinterested.
“I
gave them away.”
“What?”
It was hard to sound disinterested.
“I
gave the god-damn things away.”
He
stood up and tried to touch her. She pulled away, as somber as
cancer.
“Sandy,”
he said, his throat burning with pain, “Why?”
“I
didn’t want them anymore,” she said. Then she walked down the
sidewalk, up the porch steps and into the Factory.
John
Henry had disappeared while Reed and Sandy were talking, so Reed
walked down to the Charles to watch sailboats. He couldn’t think of
anything else to do.
When
he came back, Sandy was gone again. He had come back many times in
the last couple of weeks and found her not there. But that day—the
day she gave the kittens away—it was different. Their room rang
with silence. Reed tried to sit on the bed and wait, but he grew
frightened. Sandy had become to him like the quarter he knew was in
his pocket. And now, when he reached in his pocket, the quarter was
gone. Reed felt as empty as that pocket.
He
convinced himself that Sandy was somewhere in the Factory. He
wandered from room to room looking for her. It gave Reed something to
do.
He
went to Marvin Gardens’ attic, imagining Sandy might have wanted to
watch TV.
Marvin
was watching a Bugs Bunny cartoon. Then he switched the channel and
watched a few moments of a church service were people were carrying
tree branches. Then he switched to a baseball game. Reed thought it
was the Red Sox. Marvin was making notes in a spiral notebook. The
attic smelled of spiral notebooks.
“Has
Sandy been up here?” Reed asked.
Marvin
finished what he was writing and looked up. “No,” he said, “just
me and the tube.”
Coming
down the stairs, Reed realized Marvin had the sound off.
He
could find only two more people in the Factory. Pierce was sitting on
the beer cooler looking mean and Yodel was baking bread.
“This
is oatmeal bread,” Yodel told Reed when he asked about Sandy. “It
will be very good for you.” The kitchen was covered with pans and
bowls and Yodel’s wooden spoons. “Always,” he said, filling a
bread pan with dough the color of pennies, “use a wooden spoon when
making bread.”
He
smiled after he put the pan in the oven and shook his head like Howdy
Doody. “No, I haven’t seen Sandy,” he said.
When
Reed asked Pierce if he had seen Sandy, Pierce shook his head and
squinted. He seemed more unhappy and anxious than usual. Around the
back of the house, Reed found both cars gone. He began to believe if
he found Meyer, the two of them could find Sandy. Reed wasn’t
thinking well and started running down Broadway toward Harvard
Square. Even though it had been over a year since he’s trained, he
ran effortlessly, tirelessly.
He
had run two blocks past a man leaning against a Buick Electra,
throwing up. It took two blocks for Reed to realize there had been a
puddle of blood at the man’s feet. He turned and ran back.
The
man smelled as sour and stale as a room full of World War I veterans.
His eyes were swollen, puffed almost closed. Reed took his arm and
asked if he could help. The man stared at him, god-eyed and sweaty
with a trickle of blood coming out of the corner of his mouth.
“Can
I help you?” Reed asked again.
The
man stared some more before his body started convulsing and Reed knew
he was going to vomit some more. Reed stepped back and the man fell
to his knees. He gagged and his head jerked up and down, bumping
against the side of the Buick. A sticky red mucus came out of his
mouth and nose.
“O
Christ, Jesus God, can I take you to the hospital?” Reed said.
The
man looked up and calmly wiped his mouth and nose with his forearm.
“Fuck you,” he said.
Reed
ran through Harvard Yard to the Square. As he ran, he passed dozen of
Harvard students smiling, laughing, talking, tossing Frisbees around.
As he crossed Mass Ave to the newsstand, the memory of the man by the
Buick caught up with him. Reed’s head began to throb and he felt
the beginnings of nausea and nothing was making sense.
Reed
stopped running and gasped for air in front of the Harvard Coop.
Saul, the Harpo Marx Freak, was there asking people for spare change.
“Hey, Reed,” Saul said, “got any spare change?” Reed walked
right passed him without speaking and Saul looked hurt and confused.
At
the corner of Church Street, when Reed’s panic was turning to
despair, he saw Meyer and Jerry leading a parade of Freaks toward
him. Meyer had on the Union Army Cape and Jerry was wearing a
clerical collar and khaki shorts. They were both inexplicably
bare-footed and were giving money to the Freaks—mostly dimes, but
handfuls of them out of two plastic Jordan Marsh bags. The parade of
Freaks was crowding around them, stopping to pocket the change then
running back for more. There were long-faced girls with circles
beneath their eyes and tangled hair. There were boys with adolescent
beards, earrings and vests. There were even two Hari Krishnas in
saffron robes with diamonds painted on their foreheads. They all held
out their eager hands to Meyer and Jerry.
“Here,
brother,” Jerry said, pushing a handful of dimes toward Reed. Jerry
was too caught up in the parade to recognize Reed. Reed pushed
through the Freaks to get to Meyer. Meyer threw his arms around him.
The cape billowed about them.
“We’ve
been to Radcliff,” Meyer said. “Jesus, Reed, all the ‘Cliffies
look alike. It’s incredible.”
He
swept Reed off down the street. “After this,” he said, “Sandy
and Jerry and I have to go to Holy Ghost and see Mr. Crews. He has
brain cancer. Sandy’s going to be his grand-daughter and Jerry is
his nephew who’s a Jesuit. But if Jerry doesn’t calm down, I
won’t let him go. Want to be priest for a day, Reed?”
“Meyer,
listen!” Reed was shouting, trying to stem the tide of Freaks
around them and stop walking. “I can’t find Sandy. She’s gone
this time, you know, really gone.”
Meyer
stopped dead in his tracks. The Freaks almost fell over each other.
He stared at Reed, growing dark and serious like his cape. His good
eye was pinched almost shut. “Gone?” he asked, “Like gone.”
“Just
like that,” Reed heard himself saying, snapping his fingers as he
said it. His throat was dry and tight. “And she gave the kittens
away.”
“Jesus,”
Meyer whispered. It was like a sigh and a prayer. Jesus.
“Where
is she, Meyer?” Reed croaked. “Do you know?”
“The
kittens, she gave them away? Just like that?”
“Yes,
just like that. She said she didn’t want them anymore.”
“Listen
to me,” Meyer said, as calmly and as seriously as Reed remembered
him saying anything, “go back to the Factory. I’ll go look for
her. We’ll be there soon. Have a beer, wait in my room….” He
started off, but turned back. “And for God’s sake, take Jerry
with you. Make him take a nap….And make sure he finds our shoes….”
“I
want to go with you,” Reed yelled.
“No!”
Meyer yelled back, already half-way down the block. “Go home!”
Meyer
ran onto Mass Ave, right in front of a taxi and down the middle of
the little stretch where Mass Ave in two ways, his cape billowing out
like wings behind him. He ran onto the newsstand kiosk and
disappeared into Harvard Square station. The Freaks he had gathered
stood around amazed, watching Meyer go. When they realized Reed had
no coins, they dispersed, fog into sunlight.
Jerry
was talking to a Hari Krishna and Saul. He was back to normal and
greeted Reed. Jerry said the VW bus was just around the corner and
they should meet there as soon as he collected shoes.
Reed
trudged toward the corner, suddenly exhausted. A young girl with
waist-length hair dyed light blue was crying on the steps of the
Unitarian Church. Reed sat beside her.
“What’s
wrong?” he asked.
She
looked up. Her salmon-pink eyes showed she’d been crying for a long
time. She was 14 or 15 and her shirt was unbuttoned far enough to
reveal her breasts. Her breasts were small with tiny, dark nipples.
Either she did not mind if people looked at her breasts or she was
too sad to care. There was a softness to her face—something
Mediterranean that gave her skin an olive hue. She didn’t answer
Reed. She simply buried her head in her hands and started crying
again.
A
short, muscular black kid wearing a white Panama hat and a strip of
rawhide tight around his neck came over and squatted in front of her.
He touched her long, blue hair as if it were something incredible
from the sea.
“It’ll
be fine,” he kept telling the girl, over and over.
“It’ll
be fine,” over and over and over again.
When
Jerry and Reed got back to the Factory, Sandy wasn’t missing
anymore. In fact, she was in the kitchen cooking scrambled eggs and
laughing with Pierce and Danny, a tiny Black Wanderer on the Earth
who had arrived at the Factory from Wisconsin the day before. Danny
had been drafted and decided not to die in the rice paddies. He
drifted east and met Jerry at the Counseling Center.
When
Jerry and Reed came in, Danny was in the middle of explaining why he
hadn’t crossed into Canada from Wisconsin.
“You
know how many Black people enter Canada from Wisconsin?” he was
saying. “The boarder guards would have held me on suspicion of not
being White.”
Sandy
started laughing harder.
“Sandy,”
Reed said, shocked at how happy she seemed, in spite of her pallor
and the bags under her eyes, “are you all right?”
“Right
as rain,” she said, still laughing, “but I’m famished. I’m
going to eat all these eggs and a half-loaf of bread.”
“Meyer’s
looking for you,” Reed said.
“Aren’t
you too short for the draft?” Pierce asked.
“We
were very worried,” Jerry said.
“No,”
Danny said, “not short enough.”
“You
shouldn’t have worried,” Sandy said, “I’m just fine.”
“You
look too short,” Pierce said.
“Who
wants eggs?” Sandy asked.
“Five-four
and ½ and every inch a man,” said Danny.
“You
look shorter,” Pierce said.
“You
still don’t look well,” Reed said.
“Looks
are deceiving,” both Danny and Sandy said at once. Then they both
said, “Bread and Butter!” Sandy broke into gales of laughter and
almost dropped the frying pan.
“I’d
like some eggs,” Pierce said.
They
ate eggs and oat-meal bread. Sandy ate quickly, moving faster than
Reed had ever seen her move. Jerry agreed to drive Danny to Vermont
in the morning, to a Roman Catholic nun who could get him into
Canada. Pierce finished and left. Only Reed seemed uneasy: he worried
and tried to believe Sandy was as right as rain.
Sandy
and Reed made love that night for the first time in weeks. Sandy was
like the current at Nahant, pulling Reed down, gently but inexorably.
Reed felt guilty as they sunk into the waves because part of him was
watching. Part of him was watching as they rolled in the
surf—watching for the sadness, the pain, the hurt.
In
the wee hours, Meyer knocked loudly at their door and came striding
into the room. He ignored their nakedness and the clear scent of
lovemaking. He sat on the bed and drew Sandy up by her arms. The only
light in the room was the faint glow of streetlights and the distant
pulsing of the Pru. The sheet fell away from Sandy, exposing her, but
Meyer stared only into her eyes. He had raised his eye patch, as if
he could see her better that way.
“Where
the fuck have you been?” Meyer demanded. His voice was as tight as
a violin string, as cold as an ice storm.
Sandy
blinked her sleepy eyes. She took a deep breath and smiled. “Just
walking,” she said, “just walking around.” Her voice was thick
with sleep.
“Don’t
lie to me!” Meyer said. He drug out the last word until it sounded
like this: “meeeee….”
Sandy
fell asleep sitting up, supported by Meyer’s hands. She slumped and
her breathing deepened. Meyer lowered her back on the bed with a
little sob and covered her breasts with the sheet. “Oh, shit,” he
said, “shit!”
“What
is it?” Reed asked, finally finding his voice. He was tangled in
the sheet like a fish in a net.
“Shit,
Reed,” Meyer said, “we’re talking about ‘shit’ here…and
how incredibly stupid I am.”
Meyer
pulled himself from the bed and struggled toward the door, as if he
were moving through deep snow.
“But
she’s alright, isn’t she, Meyer? She said she was…isn’t she?”
“She’s
alright like I’m not stupid,” Meyer said from the doorway. A hall
light was on and he was framed like a crucifix, his arms reaching out
to the door jam. “What’d you think, Reed,” he said sadly,
quietly, turning around, “Do you think she’s alright?”
Reed
lied, “she seems alright now.”
Meyer’s
back was toward Reed. His arms were still against the doorway. He
shrugged and pushed against the jams—Samson bringing down the
Temple. “Sure, Reed,” he said, “Sandy’s fine and I’m a
fucking genius….”
Reed
fell asleep after a while, but his sleep was disturbed by the lie he
had told. He dreamed that he could read again. Meyer was holding a
huge, leather-bound book in Reed’s dream. Reed discovered words on
the pages that actually made sense. But Meyer was tired and sad in
the dream.
(Holy
Monday)
Early
the next morning, Reed went to Holy Ghost to visit Mr. Crews. He
borrowed one of Jerry’s clergy shirts for the visit. All the nurses
and orderlies and aides recognized him and were not troubled that he
didn’t return their greetings. Sometimes, they knew, the visits
were like that. A young Asian resident noticed Reed and asked a nurse
if ‘that hippie priest’ had a I.D. card like other clergy.
The
nurse’s name was Bonnie. She had grown up in Vermont, in the very
town where Jerry was driving Danny that morning. Reed realized that
as he walked past her because she had told him her hometown and Jerry
had mentioned the name of the place where he was going. Reed wondered
momentarily, given the sizes of towns in Vermont, if Bonny knew the
nun who would get Danny out of the country. Bonnie’s father was a
doctor in that town, so she knew doctors were always
paranoid—especially about patients they couldn’t save.
Reed
was already in the room when Bonnie said, “Yeah, Dr. Chan, he’s
on the list.”
Dr.
Chan nodded and returned to the chart he’d been reading. Bonnie
chuckled to herself for about five minutes.
Reed
had been to Holy Ghost enough to not be shocked by the lengths of
tubes and number of electrodes attached to Mr. Crews.
“Hello,
Uncle Leonard,” Reed said, though Mr. Crews seemed oblivious to
him, to anything. Florence had taught them all to talk to the
patients, no matter how out of it they seemed. No matter what. “It’s
your nephew, Francis, the priest.”
As
he spoke, Reed felt a hand grip his elbow from behind. He turned and
looked at the man in the next bed. The man wore huge, thick glasses.
Looking at him, Reed thought the lenses distorted his face horribly.
“What’s
wrong with that man?” Mr. Crews’ roommate asked. His was an
ancient voice, raspy and distant.
“He’s
got brain cancer,” Reed said, having learned not to lie at Holy
Ghost.
“Is
he dying?” The man’s voice sounded like a badly tuned cello
played inexpertly.
“Yes.”
“Soon?
Is he dying soon?
“Yes.
Soon.” The man’s hand was still gripping Reed’s elbow the way a
child holds onto their mother’s hand in a crowd.
“He’ll
be the fourth.”
“The
fourth?”
“The
fourth one who’s died in this room since I got here.” The man let
go of Reed and crossed himself in an exaggerated motion—forehead,
belly, shoulder, shoulder. “We’re all dying here. Are you his
son?”
“No,”
Reed said, amazed at how much the glasses distorted the man’s face.
It looked as if the man had no right eye. “I’m his nephew. My
name is Francis. I’m a Jesuit.” Some untruths were not lies at
Holy Ghost. “Father Francis,” the man said, his voice rising an
octave. He was a broken cello. Reed thought he was going to cross
himself again, but he merely pulled his glasses from his face. “My
name’s Norman, Norman Cox. I grew up Congregational, but I’m a
Catholic now. My wife was Catholic. I converted. That’s the way it
worked back then.”
Reed
was nodding, acknowledging the way it worked back then, when he
noticed that the glasses hadn’t distorted Norman Cox’s face at
all. He had only half a face. On the right side there was no
forehead, no cheekbone, no eye. The right side of Norman’s face was
solid skin, from hairline to lips, as if his face had been scooped
away with an ice-cream scoop, enough ice-cream for a good sized cone.
In the middle of all that skin, even with Norman’s right nostril,
was an eyebrow.
“What
happened to your eye?” Reed said, a wave of nausea washing over
him.
“Now
that’s a good question,” Norman squeaked, “that deserves a
story. I can tell it fast….Twelve years ago, back in Waterbury,
Connecticut, I got this awful nosebleed….” Norman’s voice was
like a beat up fiddle playing ‘Turkey in the Straw’. He told Reed
how he had worked in a factory in Waterbury, working with chrome. His
job was to spoon the chrome from a vat of boiling liquid. For 23
years he did that, over and over, breathing in the steam from the
liquid, carrying chrome steam into his nose. Reed was half-listening,
staring at Norman’s face. Just below the right eyebrow, where his
cheekbone should have been, there was a slight pulse. Norman told
Reed about the doctors he had seen, of the conversations he had had
with them, until finally a Pakistani doctor had stared up his nose
three days before Christmas 1956 and told him he saw cancer there.
“So
I asked him,” Norman told Reed, “Doc, I have two questions. How
long do I have if you don’t operate? That’s my first question.
And he said, ‘maybe two months, no more’. I liked a Doc who was
honest. God knows I’d been to some liars before that. So I asked
him my second question.”
The
second question was what were his chances of surviving the surgery?
The doctor was honest again: only one in ten, he told Norman. “Well,
that shook me up, I’ll have you know,” Norman told Reed, “made
me feel real cold inside, you know what I mean?”
Reed
wasn’t sure he knew exactly what Mr. Cox meant, but he knew he’d
felt cold inside when Lysander died, when he read his father’s
death letter, when he looked at Sandy and knew she was gone….So, he
said, “I think so.”
“So
the Doc says to me, ‘Mr. Cox, as good as I am, and I am very good,
you will be horribly disfigured. I won’t leave enough for the
plastic surgeons to work with.’.” Reed noticed that with his
squeaky voice, Mr. Cox did a decent Pakistani accent.
“So,
I says to him, ‘Doc, I ain’t nobody’s pretty boy now!’” The
old man laughed in a rasping way.
Norman
rubbed the place where his face wasn’t and scratched at the eyebrow
near the end of his nose. “So I says to him, ‘well, Doc, let’s
get goin’ on this’. ‘Oh, no, Mr. Cox,’ he says to me in that
way those people talk, real fast like, ‘you must go home for your
Christmas first’. Imagine that, Father, a Pakistani worrin’ about
my havin’ a Christmas. Those people aren’t heathens, not at
all….” He looked up at Reed with his one eye and his eyebrow.
Reed thought he seemed embarrassed. “At least I don’t think so….
Do you, Father?”
It
took a moment for Reed to remember the old man thought he was a
priest. “No, I don’t think so either,” he said.
Mr.
Cox smiled, seemed relieved. “I’m glad you say that, Father,
because the church is sometimes harsh on those people. And when I
finish tellin’ you this story, I think you’ll agree that Doc was
as good a Christian as they come.”
Reed
realized this was going to take a while. He pulled up a chair and sat
down, making sure he had a good view of the pulse in Norman’s face,
just below his misplaced eyebrow. For almost an hour, Reed sat there,
staring at the old man, growing accustomed to how he looked,
wondering how Norman had dealt with the way people look at him with
horror, thinking about Sandy and Mr. Cox’s eye. He thought Meyer
would have been delighted with another one-eyed man. He listened to
the whole story, every word of it.
Near
the end of his tale, when Mr. Cox was talking about how his family
had accepted it all and how grateful to ‘the Doc’ he was for over
12 years of life after his face was cut away, Reed noticed the old
man was crying. It seemed to Reed that tears were running out of the
pulse where he eye used to be. But he was tired and the light was bad
and it couldn’t be.
The
story was finally over and Reed got up to leave.
“Will
you give me your blessing, Father?” Norman asked.
Reed
wasn’t quite sure what to do, but the old man shut his eye so he
just waved his hand around and mumbled something about God and Jesus
and blessings. Norman crossed himself broadly and smiled. The side of
his mouth where he face was missing didn’t turn up as much as the
other side.
Reed
was waiting for the elevator when Bonnie came running up to him. “Did
you see it?” she asked.
Her
face was broad and friendly and she wore her hair in a bun beneath
her nurses’ cap.
“Did
you?” she asked again, biting her lower lip the way a child does
waiting to know if she can have a friend sleep over.
“Did
I what?” Reed asked. He was very tired and realized he hadn’t
eaten anything but a few scrambled eggs in a day and a half.
“Did
you see it?”
“See
what?”
“How
his eye cries…the one that isn’t there…his no-eye. It cries
sometimes.” Bonnie was thin and plain and pale—all dressed in
white. But her eyes gleamed, looking as deeply into Reed as Jerry
could.
“I
thought it was because the light was funny, some reflection or
something,” Reed said.
Bonnie
threw back her head and laughed. She clapped her hands and hugged
Reed. “Yes!” she said. Then she said it louder, “YES!” Then
after a deep breath, she composed herself, glancing over her shoulder
at Dr. Chan, standing at the nurses’ station staring at her. She
pinched her face up and whispered to Reed.
“He
doesn’t know it happens, Mr. Cox doesn’t. But it does. The first
time I hurt him drawing blood, a single tear somehow came out of that
little pulse and ran down his face. I thought I was crazy. But it
really happens, you saw it.”
Reed
nodded.
“Isn’t
that something?” Bonnie said as the elevator door opened, “Like
one of those bleeding icons or crying statues. It’s a miracle.”
Reed
got on the elevator. He felt all cold inside, but it wasn’t a bad
feeling this time.
“I
guess so,” he said, as the door was closing between them. He hoped
Bonnie heard him.
Meyer
came home in the late afternoon. Reed was in the kitchen eating his
second can of Campbell’s Tomato Bisque and his second bologna and
mayonnaise and sweet pickle sandwich on Yodel’s healthy Oatmeal
bread. Sandy had been gone when he got back from Holy Ghost, so Reed
went to bed and slept for a couple of hours, waking up so hungry he
couldn’t even worry.
Meyer
was wearing one of those little nurses’ hats like Bonnie wore. His
clothes and hair were damp.
“Where
you been?” Reed asked him. Reed’s mouth was full of sandwich so
it came out ‘weryabin’, but Meyer understood.
“Florence
and I went to Nahant. I made her go in the water and change clothes
with me.” Meyer rolled his eye and grinned. “Lot’s more fun
than with Jerry.”
“She’s
off duty, I hope?”
Meyer
stared. “Why?”
Reed
pointed at his head with the last part of a sandwich. Meyer looked up
with his eye and felt his head. He laughed and took the hat off.
“Nearly drowned trying to get the bobby pins in my hair,” he
said.
Reed
wanted to tell Meyer about Norman Cox, but Meyer started talking
about the Major League baseball season which was only a day or two
away. He told Reed what had always confused him about spring
training.
“It’s
about how the pitchers and catchers and rookies always report several
days before everyone else,” Meyer said, getting a huge trash bag
out from under the sink and started cleaning out the refrigerator.
The
Igloo Factory had a huge, double door, shiny silver refrigerator—the
kind you would find in high school cafeterias or large restaurants.
Christmas the Thanksgiving and Meyer’s birthdays—February 8 and
May 15, he had two and never said which was the real one—were the
only times everyone at the Factory ate together. Otherwise, except
for Marvin Gardens’ eclectic breakfasts, people were on their own
regarding food. Some people would cook and eat together. Reed usually
ate dinner with Jerry and Sugar and sometimes Sandy. Yodel and
Krista, since both were vegetarians, often shared meals. Everyone had
a shelf in the monstrous refrigerator. There was a quart jar in one
of the cabinets that always had money in it for people to use to
shop. Whenever anyone went to Star Market or Legal Seafood or one of
the small ethnic food stores within walking distance of the Factory,
they were free to take money. And the money, like the Schlitz and
Coke, never ran low.
But
the refrigerator was a mess. If something smelled offensive, the rule
was that you could throw it away. Otherwise, no one was to mess with
anyone else’s shelf. It was a matter of privacy to Meyer. One’s
food was their own business. So Reed was startled when Meyer started
cleaning things out. It was a form of Factory heresy, blasphemy, high
treason.
“The
pitchers and catchers—that I can understand,” Meyer said, tossing
out moldy cheese and mushy tomatoes. “They pitch and catch, tossing
the ball around. But what do the rookies do? Laps? Sit-ups? Decorate
their lockers?”
Meyer
pulled an uncovered bowl from one of the shelves and smelled it.
“Prehistoric tuna salad,” he said, dumping it, bowl and all, into
his bag. He continued his monologue about spring training while he
disposed of four half-eaten heads of iceberg lettuce, each in their
own wrapper, all of them oozing rusty brown liquid.
The
refrigerator seemed to have no end of spoiled or unrecognizable or
useless things. Moldy black olives in a dish, three empty French’s
mustard jars, an uncut cantaloupe that Meyer’s fingers disappeared
into when he tried to pick it up—“look a cantaloupe bowling
ball,” he said—two cartons of extremely suspect milk, a plate of
what once might have been spaghetti and meatballs that was covered
with a thick crust of bright green mold—“Madame Curie, where are
you?”—a rock-hard, half-eaten corn muffin with a growth on it
that reminded Reed of the eerily lit caverns near Massanuttin where
he and Lysander had often gone with cheerleaders on Saturdays, capers
so old they made a sound like bee-bees when Meyer shook the jar….
More and more appeared from the recesses of the refrigerator. Meyer
filled one bag, deftly wrapped a twist tie around the top and snapped
open another bag. Meyer grinned like a maniacal archeologist with a
nurse’s cap on. “King Solomon’s mines held not treasures such
as these,” he said returning to his job.
Krista
and Jerry had come into the kitchen. They stood beside Reed.
“What’s
Meyer doing?” Jerry asked to no one in particular.
Krista
smiled and shook her lovely head. The tiny bell above the sink gave a
sudden, short ring. Meyer turned to stare at the bell and then at
Krista. “That’s creepy,” he said.
Yodel
came in with a Campbell’s soup box full of ropes and pulleys. He
was always cleaning and sorting his mountain climbing gear though he
never used it. “Whatja doin’?” he asked Meyer.
Meyer
emerged from the back of the refrigerator, holding up something long
and round on the end, wrapped in aluminum foil. His eye was shining
and his face was alight with excitement. “The Christmas drum
stick,” he announced, swinging the aluminum baton as if directing
very rapid music—“The Flight of the Bumblebee”, something like
that. The others huddled around the table and watched.
“Spring
training and spring cleaning,” he said from deep in the
refrigerator. His voice echoed into the room. “The two great
rituals of spring. The green, green grass of Florida and the
multi-colored fungi of putrid food.”
Meyer
cleaned for another twenty minutes, rattling on about the Red Sox and
the hopeless condition of the Factory food supply. In the freezer, he
found a sandwich bag half full of leaves. He started to toss it in
with the freezer burned hot dogs and half-a-dozen empty Brigham’s
ice cream containers.
“Not
that,” Jerry said, “that’s mine.”
Meyer
sniffed the baggie. “Frozen grass?”
Jerry
nodded.
In
it went with the hard as wood cheeses and rancid pork chops. “No
more drugs at the Igloo Factory—new rule,” Meyer said, turning
back to the freezer.
“What
about wine and beer?” Yodel said, innocently, as if he were taking
a survey. “Are they out too?”
Meyer
took his head out of the freezer and stared at Yodel. His moustache
had little ice crystals on it. It looked more than ever like a
walrus’ tusks.
“Are
you nuts?” he asked.
So
far as anyone knew, Yodel, for all his best-selling knowledge of the
vices of San Francisco, had never done drugs or consumed alcohol. He
didn’t smoke cigarettes and avoided caffeine. He was, for all the
world, Howdy Doody.
“Alcohol
is a drug,” Yodel said, “the Surgeon General’s reports….”
“Beer
is a carbohydrate and wine is a fruit,” Meyer interrupted, as if
lecturing a dog about not wetting on the run. “They’re god-damn
food groups, Yodel, everyone knows that.”
Yodel
nodded and smiled. He nodded because he knew he knew when to quit. He
smiled because he always did.
Before
long, Meyer had lost interest in cleaning the refrigerator. He’d
filled three trash bags and left them on the floor for the others to
put outside.
“I’m
going to bed,” he said. And he did.
Reed
went to bed not long after Meyer though it was still afternoon.
Something in him was urging him to store up sleep. Something in him,
down where the marrow flows sluggishly, was swimming in the deep,
sticky fluid. Something in him, large and cumbersome—and unnamed
bulbous creature was swimming and calling him to sleep. Something in
him wanted him to sleep and to dream.
Some
of his dreams were dark and foreboding, full of vast, interminable
empty spaces—the Mohave desert, the Salisbury Plain, the middle of
the North Atlantic—open, threatening spaces. In some of his dreams
he was in tight, confining spaces—trapped in pink sand or covered
with wet, heavy blankets or in some giant’s pocket. In some dreams,
he was talking to people though he didn’t remember any of the
conversations. He talked with Meyer for a while until Meyer turned
into a little man in a cobbler’s apron with white wooly hair who
seemed to be a rabbi. But the rabbi turned into a tall, gaunt man in
a white coat and he turned into a huge rabbit who turned into a giant
cat who turned into Sandy with cat’s whiskers. All of them showed
him antique books, but whenever they (Meyer, the rabbi, the young
man, the rabbit, the cat, Sandy) would open one of the books there
was the smell of cinnamon and coriander and some other spice that, in
his dream, Reed knew also began with a ‘c’.
There
was one last dream about falling from some great height, falling out
into a seemingly endless expanse of space, surrounded, not so much by
wind or air as by some amber fluid, barely thicker than air, but rich
in odor and clinging to his skin in drops. He fell through light—from
amber to yellow to a greenish saffron to lush green to purple to
blackness. He landed on what felt like pine needles though it was too
dark to see anymore in his dream. Even in his dream he was confounded
because he didn’t think you should hit bottom when you dream of
falling.
He
laid there in darkness absolute until Meyer woke him up.
(Holy
Tuesday)
“Big
Reed,” Meyer was saying, shaking him gently, “wake up, Sandy’s
home.”
He
helped Reed out of bed and wrapped him in the Union Army Cape. There
were no lights on but a dim dawn was coming through the windows.
Meyer looked remarkably worried to Reed. Reed wasn’t used to seeing
Meyer worried. He looked like he was in pain.
“Does
something hurt?” Reed said, still swimming upstream toward
consciousness.
“Most
everything,” Meyer told him. “Jesus, Reed, you’re so clammy.
You’ve been asleep for 14 hours. We have to go see Sandy now.”
Meyer
half-carried him down the steps and through the kitchen. All the
lights were on and Reed blinked against the brightness. People were
sitting like statues around the kitchen table. Krista and Sugar and
Jerry and Yodel were there and I couple of people near the walls Reed
couldn’t recognize because of the light. They were all still as
rocks.
“This
is going to be hard, Big Reed,” Meyer was telling him as he opened
his bedroom door. “But Newman’s on the way. He’ll be here in no
time. You’ll see. Newman is a magician. He’ll get it right this
time with Sandy, I know he will. You’ll see.”
Someone
was curled up on Meyer’s bed. Reed knew it was Sandy because Meyer
told him so, but her face was ashen and old looking. Her breath was
so shallow Reed momentarily thought she was dead. Then she convulsed,
like she’d suddenly been plugged into a wall socket. Her whole body
shook and quivered and she gave a bottomless moan that echoed like
liquid pain.
“Jesus,”
Reed said, growing numb and cold. “Sandy….Sandy….”
Sandy
vomited on Meyer’s bed. She shuttered like a sick dog and vomited.
She looked so small to Reed. Meyer let him go and went to get a wet
towel to clean up the mess. Reed thought he might start falling
again, like in his dream, through realms of light. He staggered a
little and Florence, who he hadn’t noticed in the dimness of the
room, took him in her arms.
“This
is pretty normal, darlin’,” Florence said gently. “I’ve given
her all I can to help the nausea and Newman will have stuff to make
her sleep.” She held him tightly as they watched Meyer gather Sandy
in his arms and rock her like a baby. “This is what an overdose
looks like….”
Meyer
kept rocking Sandy, humming some tune Reed knew but couldn’t place.
About then, Newman arrived. He whispered with Florence and then gave
Sandy a shot of something that soothed her into a deep sleep. Blonde
hair fell across Newman’s face and he kept brushing it back. Even
after Sandy drifted away, Meyer kept rocking her and humming.
Florence
introduced Reed to Newman as “Sandy’s boyfriend”, though it was
the first time Reed had thought of it that way.
“I’ll
send her back to you,” Newman told him. “It’ll be a while
because she has some heavy work to do. She has to find her ‘bliss’.
Last time she piggy-backed on what I thought was Carlton’s ‘bliss’,
but it wasn’t ‘bliss’ at all, it was just ‘strong’.
‘Strong’ is never enough when you’re fighting with the Devil.
Only ‘bliss’ will do. Then…well, Sandy’s ‘strong’ died
with him.” He took a long, sad breath. He wore Levis and a sweat
shirt that said “P-town” on the front. His sneakers were black
and untied. He carried his doctor things in a green book bag. “But
I’ll get her to ‘bliss’ this time, I promise.”
Reed
tried to believe him.
Jerry
helped Newman carry Sandy to his van. After he left everyone was
quiet for a long time. Finally, Meyer said he was going for a walk.
That was Tuesday morning. He didn’t come back until Thursday
afternoon.
Just
then, Reed remembered two things. The first thing was that Newman had
been the gaunt young man in his dream. He did believe him then. He
knew Sandy would come back to him.
Jerry
said, “Did Meyer take his hockey stick with him or am I just
imagining?” Nobody remembered.
But
Reed remembered a second thing—the tune Meyer had been humming to
Sandy.
“Rock
a-bye baby, in the tree top…,” he
said.
“When
the wind blows, the cradle will rock,” Krista
added.
“When
the bough breaks, the cradle will fall,” Jerry tried to sing, off
key.
“And
down will come baby, cradle and all,” Sugar finished in her
painfully clear soprano.
Then
someone made coffee and someone else found the ham and Swiss
sandwiches on rye with brown mustard that Marvin Gardens had made for
them before Sandy came home.
(Holy
Wednesday)
For
most of Tuesday and Wednesday, Reed slept. Sandy was in Rockport with
Newman, probably tied down to a bed in a white room by the sea. Meyer
was God-knew where, wandering the streets with his hockey stick in
hand. Everyone else found places to be and things to do. Reed slept.
There
were no more dreams, just the damp, darkness of sleep, just
unconsciousness, just what Reed wanted.
On
Wednesday night, Jerry and Krista convinced Reed to go with them to
eat pizza and then go down to the River Charles and get stoned.
Getting stoned wasn’t something Reed ever did much and it seemed
like a totally inappropriate reaction to what was going on. But Jerry
and Krista insisted and it seemed to be the only reaction Reed had
available.
“Getting
a little stoned,” Jerry told him kindly, “will help you think
better.”
“I
don’t need to think better, Jerry,” Reed argued, “ I need not
to think.”
Jerry
nodded and smiled. “Then you need to get a lot stoned.”
The
three of them ate three large pizzas at a little place off Harvard
Square with only four tables. Reed ate one and a half of them since
he hadn’t eaten since Tuesday afternoon. Then they walked down to
the Anderson Bridge and sat in the grass and smoked marijuana and
looked at the stars. Jerry wanted to learn astrology and Krista was
trying to teach him constellations. They talked a little about Sandy
and smoked a lot and by midnight Reed was a lot stoned.
The
river started to look like a piece of deep purple velvet to Reed. He
imagined swimming on the velvet river—‘on’ it, not in it,
gliding like a swan. He listened to the cars passing like animals
moving in unfamiliar forest—slowly. Everything had slowed down. The
sirens from Boston sounded like the mating calls of large
night-birds, scaly night-birds that would mate and then the male
would die, his whole mayfly life consumed in mournful reproduction.
The passing walkers whispered, explorers in Reed’s velvet jungle.
Jerry
helped Reed up when it was time to go. He walked behind Jerry and
Krista, listening to them talking about the stars, about Sandy,
imagining they were foreigners speaking in a strange language. Their
language was the language of the land Reed was passing through—a
voyager, a seeker, meant to wander, looking for home.
His
bed was liquid and warm, satiny, as if someone had been there,
someone as soft as velvet rivers and as fragrant as unfamiliar lands.
He imagined there would be fresh buttermilk by the bed for breakfast,
with hard, dark bread and cheese so sharp it would burn his tongue.
Then he slept for a while, dreaming a dream of small, sleek animals
with feathery bodies and warm-as-the-night tulip breath. They were
breathing on his face—their breath fragrant and moist. They were
lemurs or lemmings or lorises, something beginning with an ‘l’.
Sugar
was leaning over him when Reed woke up. Her face was near his. Her
breath was on his face. Her hair fell onto his chest like a golden
cascade.
“Reed,”
she said, in a velvet voice, “are you alright?”
He
sat up in bed. “I’m still a little stoned,” he said, “which
helps some. And I’m mixed up, confused. I can’t figure out what
happened with Sandy.”
Sugar
edged onto his bed. The room was light from moon. Her hair covered
her like a cardboard-colored shirt.
“I
thought you would be,” she said, “confused, I mean. And sad and
lonely.”
Thinking
about Sandy, thinking about the poison she’d started putting in her
veins again, Reed realized how sad and lonely he was. He tried to
tell Sugar what that was like. He told her that if he were very
still, he could hear the blood coursing through his arms—that
lonely and that sad.
“I
can stay for a while if you’d like,” she said.
“I’d
like that,” Reed responded.
“Would
you like me to hold you for a while?” Sugar asked.
He
told her he would like that a great deal.
Sugar
leaned over him and held him like an egg, something special and
fragile. Reed felt like crying, and since it seemed alright, he cried
a while.
After
he cried, they talked. Sugar sat on the edge of his bed and he talked
about Sandy. Sugar smiled and smiled and finally touched his face,
much as a butterfly would land on your cheek.
“Did
you know,” she said, “how much you loved her—you know, before
now?”
“No,
but I really, really love her.”
“Just
like that?”
“Just
like that….”
She
laughed and put the butterfly on Reed’s face again. “Scoot,”
she said and he moved over. After taking off her shoes, Sugar climbed
in bed with him, pulling the sheet around her. “Keep talking,”
she said.
So,
Reed talked. He talked about how much he loved Sandy, just like that.
He talked about how bad it had been in the last few weeks, how
nothing he could say or do mattered, how it must have been his fault.
“No,”
Sugar said. “You didn’t cause it. That’s what Meyer would call
an ‘allusion of grandeur’.” Reed knew she meant ‘illusion’,
but didn’t correct her.
“But
I didn’t stop it either,” he said, suddenly almost asleep. “I
couldn’t find the right words….”
“Words
are bullshit—excuse my French,” Sugar’s tone ended the
conversation.
Reed
closed his eyes and saw white—white on white, white like the sail
on a boat, white like a sheet on a clothes line, white like milky
poison in someone’s vein, white like the snows of Cambridge, white
like the comforting clouds of spring. Then his mouth thickened and he
slept.
(Maundy
Thursday)
When
Reed woke up, the room was full of morning and Sugar’s back was
against his back. He was still, feeling how warm and feathery she was
until he realized she was weeping. He turned over and touched her
face. His fingers came away strangely wet, when he touched them with
his tongue he tasted the unmistakable metallic stickiness of blood.
“It’s
nothing, Reed,” she said when she sensed his reaction. “Nothing.”
He
tried to roll her over but she resisted. “Just hold me for a
while,” she said. So Reed returned her favor of the night before.
He held her like myrrh in a bottle while she cried in little cat
sneezes and then went to sleep. Her sleeping face didn’t look as
bad as he had feared—a busted lip, some bruising around her left
eye and dried blood on her face. Reed thought of Pierce and had an
opinion: Pierce should be dead.
When
she woke up, Reed bathed Sugar’s face as well as he could with a
wet wash cloth and patted it gently dry with a towel. She didn’t
wince.
“After
you went to sleep,” she finally told him, “I found Pierce on the
porch and tried to tell him about you and Sandy and he hit me, just
once. He was so angry, so hurt for some reason. You know, he was
afraid. So I came back here. I didn’t know where to go. I have no
home.”
“Listen,”
Reed said, “you have a home now. You’re going to stay here with
me, in this room. This is your home now.”
She
smiled. “Thank you, Reed,” she said, “it’ll be good.”
He
got milk and apples and some of Marvin Gardens’ hot dogs from the
kitchen. They ate sitting on his bed.
“You
know,” she said, wiping the milk that hugged the down above her
swollen lip away with the back of her hand, “when I look okay
again, so I won’t threaten Pierce with what he did, I’d like to
try…you know…to work something out with him.” She smiled, but
something really hurt. “Am I being crazy or what?”
She
waited for a while, finishing off a hot dog. Reed imagined she wanted
him to say something positive about her thought. But he only thought
she was crazy. Where Reed came from, a man hit a woman once and once
only. Then she was protected from him. All he could see was her face,
so lovely, even swollen and blue.
He
went to get them coffee. He sat in one of the straight backed chairs
in the kitchen and cursed. If Meyer had been back, Meyer would have
known what to do. He wiped his face with a dishtowel and threw it
toward the sink before taking coffee to Sugar. The towel hit Krista’s
bell.
“Ting,
tingle, ting,” it said.
Sugar
moved into Reed’s room and Pierce never hit her again during his
short stay on this earth. Pierce most likely never saw her again
before he died and after that, Reed hoped he died with the guilt of
hitting her in his heart. He hoped the guilt was cosmic.
Sugar
and Reed stayed in the same room together until she left to go back
to Kenilworth and Vachel and her father in newspapers. Often they
would talk late into the soft, humming nights. They talked until dawn
sometimes. They talked, holding each other against the world, naked
and warm and never once kissed or made love. Sugar was simply good to
hold—like sleeping close to the ground in the forest with tender
leaves and satin moss and shrill sounds all around.
They
grew close, Sugar and Reed.
Thursday,
mid-afternoon, Meyer came back. He was cross and restless, pacing
back and forth in his room.
Jerry
and Sugar and Reed sat on Meyer’s bed and watched him pace. Sugar
kept asking what was wrong—and whatever it was, Meyer never seemed
to notice Sugar’s lip and eye. Jerry kept asking if there was
anything they could do. Reed kept quiet. He was composing a love
letter to Sandy in his mind. He intended to ask Sugar to write it for
him.
Around
twilight, Meyer decided he needed to talk to the ocean. He piled the
three of them and Vincent Price into the VW bus and they headed for
Cape Cod. Jerry drove. Meyer sat in front with him, staring moodily
out at the shadows along the highway. The night drew itself around
them like you pull up your collar against the chill.
Sugar
and Reed and Vincent Price were in the back. Vincent Price was asleep
and snoring. The only sounds were the snow tires on the highway and
Vincent Price’s snoring.
The
snow tires went: “hummmmmmmm, hummmmmmm, hummmmmm.”
Vincent
Price snored like a punctured foot ball: “Psst, psssst, stiii,
pssst, stiii, pssssssst….”
The
headlights coming toward them stretched out and merged into long
threads of light, tying the approaching cars together. Reed grew
drowsy. Sugar lit a joint and handed it to Meyer. Without saying
anything, he threw it out the window. Reed, sleep in his eyes, looked
back and saw a red drop of light disappearing.
Jerry
drove fast, and well for him. No one spoke for mile after mile.
Deep
in darkness, Meyer pointed off the highway. “Turn here,” he said.
“Craigsville/Centerville?”
Jerry asked. Meyer grunted and Jerry turned. A little later, Meyer
pointed to a narrow road that led down to the beach. Jerry turned.
They
parked in a deserted lot and Meyer ran down to the beach. It was
cool, so Jerry brought a blanket from the bus and the three of them
huddled together on the beach. The ocean wheezed like a cat and in a
while Meyer woke them up.
“Denmark’s
over there,” he said. There was enough moon for Reed to see him
pointing to the ocean. “Right over there.”
Meyer
sat on the beach about ten yards in front of them. They could make
out his silhouette against the night. The ocean wheezed and Meyer’s
outline disappeared.
Meyer
was soaking when he woke them up again. “The ocean…,” he said.
His hair was hanging down like tentacles around his face. “The
Ocean….That was like being born.”
That’s
all he said before going back toward the water.
Reed
fished a rumpled cigarette out of his shirt pocket and smoked it
while he walked down to the surf. He imagined he could see a light
off toward Denmark. The light didn’t blink or throb. He wondered if
it could be Copenhagen. Before he knew it, he was knee deep in the
cat-wheezing water. Back up the beach, he covered his wet legs with
sand and snuggled against Jerry and Sugar under the blanket.
Meyer
woke them up in a weird purple pre-dawn light. He drove back toward
Cambridge, stopping at the Sagamore Bridge to watch the sun lift its
head above a patch of twisted pine. They all got out to see it.
Vincent Price relieved himself on the tires of the bus. As they were
standing there, a car with Illinois license plates slowed down enough
for someone in the back seat to throw a McDonald’s bag at Meyer.
There was a half-eaten cheeseburger and 12 stale French fries in it.
He made them all eat it, feeding them the fries and cheeseburger bite
by bite. They were all so hungry it actually tasted wonderful.
Somewhere
down the road, Jerry said, “It’s Good Friday.”
No
one disagreed. Reed drove and Meyer talked all the way home.
(Easter)
Two
days later, Easter arrived. No one seemed particularly surprised, but
nobody colored eggs and there was no chocolate.
Jerry
prayed.
Over
the months, Reed would sometimes walk past Jerry’s closed door and
hear him talking. Whoever he was talking to seemed to simply listen.
Even when Jerry would pause and then say “uh-huh” or “I see”
or “imagine that” Reed couldn’t hear anyone else talking. That
was Jerry praying, talking to Jesus, seemingly able to hear Jesus
back.
On
Easter morning, Reed woke up and heard Jerry in the hall. Reed was
alone in bed. Sugar was gone. She woke him up at dawn, when she left.
“I’m going for a walk,” she said, “I think it’s Easter.”
Reed went back to sleep and didn’t wake up until Jerry was talking
with Jesus outside his door.
“Reed
and Sandy concern me,” Jerry was saying. “I worry about them.
They aren’t meant to wander their whole stay on this earth, are
they?” He was quiet for a while before saying, “Oh, I’m so
glad. Wandering gets so tiresome.”
After
another silence, Jerry said, “Are you sure? West Virginia? I was
thinking Idaho for some reason. At any rate, that sounds good for
them….”
Jesus
must have said something good about Reed and Sandy and West Virginia.
Reed decided if he ever spoke with Jesus he’d thank him for that.
Saying good things about people is a fine way to spend your time.
Marvin
Gardens had left a box of corn flakes, a bunch of bananas, a gallon
of milk and some hot cross buns on the kitchen table. There was also
a note written on a torn out page of a spiral notebook with a note on
it. Reed couldn’t read it, but if he could have, it would have
said, “The Jew is Risen! Have some cereal.” While Reed was eating
breakfast, puzzling over the note, Sugar came back. They seemed to be
the only people around. Easter and sadness had driven most everyone
away, except for Jerry, who was moving from room to room, talking
with Jesus about the people who lived in each one.
Sugar
yawned and stretched while watching Reed eat cornflakes and banana.
She nibbled at a hot cross bun. “Jerry’s doing his ‘esta
doody’,
Sugar said, looking confused. “What do you think that means?”
“I
think he means ‘Easter Duty’,” Reed said, drinking the
remaining milk from his bowl. “You got confused by his accent. It’s
like his ‘obligation’, like a responsibility to pray for all of
us.”
Sugar
brightened. Her face was already much better. She was young and
healed quickly. “How sweet,” she said. “Isn’t that the
sweetest thing?”
Reed
wasn’t sure Jerry would call talking to Jesus “sweet”, but he
agreed.
Sugar
yawned and stretched again. When she yawned, she looked like she was
going to swallow a hot cross bun whole and her eyes closed tight,
like a little kid pretending to go to sleep.
“I’m
going back to bed,” she said.
“I
think I’ll go to church,” Reed answered.
“Go
to the big one down in Copley Square,” she said, “the one with
the statue of a fat preacher in front of it. It’s your cult.”
From the door, she turned around, “What a sweet idea, going to
church on Easter. If I weren’t so sleepy I’d go with you.”
Reed
went to church to try to pray for Sandy and in return for the nice
things Jesus told Jerry about them. He wasn’t sure that was a good
reason, but it was his reason. As he was walking down toward Harvard
Square, Reed remembered how his father would stop smoking and walk
around the block before dinner each night for a month or so after
someone he knew died. Reed thought his going to church on Easter was
roughly akin to that.
Reed
had always gone to church. His parents took him when he was small.
They were Presbyterians, which is about as good a thing to be as any.
Reed remembered that most every Presbyterian Church he ever visited
has basketball hoops in the room where people had coffee afterwards.
But when he was 10, his parents became Episcopalians. His mother said
it was out of “a need for ritual” in their lives. Reed suspected
it had to do with social status since all his father’s clients were
either Episcopalian or Jewish. He was confirmed by the Bishop of
Virginia in the chapel of Massanuttin when he was 15. So was
Lysander. The two of them ‘got religion’ together. That’s how
Lysander put it, “well, we ‘got religion’ now,” he whispered
to Reed after the bishop had squeezed their heads. All their parents
were there. Everyone went to dinner together and Lysander and Reed
were served champagne to celebrate their new found faith.
Reed
took the subway to Copley Square. There were lots of churches around
there and lots of people going to them. Reed followed the biggest
crowd there. Since all the pews were filled, he stood in the back
beside a young woman with a face like an orange who kept handing him
prayer books and hymnals. He balanced them, as any practiced
Episcopalian could, holding them all open at the same time. He didn’t
tell the girl he couldn’t read and she kept glancing at him out of
the corner of her eye.
Sugar
was right—it was an Episcopal Church. And there was a statue of a
fat man preaching in front of it. At one time, back when Reed was
legend at the Great Midwestern University, he knew who the statue
was, but he couldn’t remember that day because there was a full
orchestra playing “Hail Thee, Festival Day” so loud you could
have heard it back in Cambridge. Reed knew all the words to “Hail
Thee, Festival Day” because he and Angela had been very large in
the Canterbury Club at Iowa University. The chaplain there had been a
great reader. Angela and Reed and the chaplain had shared his sherry
many times and talked about T. S. Elliot. Episcopalians tend to be
partial to good sherry and modern British poets.
Episcopalians
also nod a lot. They nod at crosses and priests and at the mention of
Jesus much as someone might nod to people who smile at them on the
street. Easter Sunday there was an immense amount of nodding down in
Copley Square, like 900 people all agreeing.
The
altar at Trinity Church—which was the name of the big church in
Copley Square—was round. On Easter, there seemed to be a couple of
dozen priests there. And a thousand Easter lilies, at least. And a
choir as big as an army battalion, and orange faced young women
handing out prayer books and hymnals to everyone, and everyone
nodding in agreement about five times a minute.
But
things were going well. Reed was feeling like praying for Sandy. The
music was all remarkable—very professional. Reed was about to start
enjoying himself when the head priest god up to give his sermon.
Before he started, he said a little prayer. At the end of his prayer,
three terrible things happened.
The
first terrible thing was that the lights dimmed all over that huge
church when he said ‘Amen’, right on cue.
The
second terrible thing was the spotlight that came up on the head
priest as the lights dimmed, perfectly timed.
The
third terrible thing was the little gasp of wonder from the
orange-faced girl when the other things happened. She turned to Reed
with tears in her eyes. “Oh,” she said. Just that—just “Oh”.
Reed
decided he was almost well, almost ready to start reading again
because the lighting cues seemed so contrived. He was experiencing
cynicism. “Cynicism”, Meyer had told him several times, “will
be the harbinger of your recovery, Big Reed. Quite a price to pay.”
Back
outside, where Reed went without hearing the sermon, the sun was
shining like a huge yellow spotlight. A Black man was in the middle
of Copley Square talking through a megaphone about how hypocritical
all the people in all the churches were. He said what they were doing
made the Holy Trinity want to vomit.
Three
people were listening to the Black man. One was a hunchbacked paper
man with about 300 papers waiting for the people to come out of the
churches and buy Sunday Globes.
The second was a Black woman with a Brillo-pad Afro and a short
leather skirt that showed off her shapely legs. She seemed to be the
megaphone man’s girlfriend since she was listening to him ‘rapt
attention and awe the orange faced woman had when the lights went
down. The third person was Reed.
They
were all there for a while. Since no crowd was gathering, the Black
man and his girlfriend started hugging each other and kissing
passionately. The paper man talked to Reed about the Red Sox while
Reed tried to pray for Sandy. Some pigeons wandered around them,
pecking and complaining, fluttering ‘good Easter’ to each other.
Reed
walked back to Park Street Station, stopping along the way to buy one
of those huge, salty pretzels from a vendor who looked faintly like
some minor rock star and was obviously stoned though it wasn’t yet
noon. People were out on the Common, dressed for Easter. Reed watched
an Easter egg hunt for a while. All the children were Chinese though
they were dressed like British school children on a school day—little
blazers for the boys and pleated skirts for the girls.
It
was early afternoon before Reed took the subway back to Cambridge and
walked through Harvard Yard. The grass was spotty and Harvard was in
the process of trying to drown the earth with sprinklers. Reed dodged
the spray all the way through the Yard. Each sprinkler made a rainbow
in the early afternoon sun. Harvard was closed for Easter vacation so
some Freaks had taken over the area, playing Frisbee in the
sprinklers, their bare feet muddy from the wet ground. The bells of
Cambridge were ringing overtime. It was Easter, after all.
By
the time he got to Broadway, he knew something was seriously wrong.
From the Broadway Market he could see a crowd at the Factory—several
police cars, an ambulance, a TV remote truck and lots of people. He
ran as fast as he could though his legs turned elastic and bent like
sprinkler rainbows.
When
he got to the Factory, he had to force his way through the
crowd—neighbors, little kids, strangers behind yellow police tape.
“I live here,” he kept saying, “I live here, let me in…this
is my house.”
Most
everyone was just inside the door. Krista was on the stairs in what
seemed like a trance. Jerry was trying to comfort and calm Lane and
Trotter by the Coke Machine. Yodel was sitting on the beer cooler
smoking a cigarette, something Reed had never seen him do. Sugar was
standing in the doorway to the kitchen, weeping into the door jam.
She wasn’t making a sound, but she had her hands over her face and
her whole body was pulsing like some awesome, uneven heart beat.
“Meyer!”
Reed yelled, “Meyer…!”
Two
policemen just inside the kitchen wouldn’t let him in until Sgt
Quinn came out and told them it was alright. They didn’t look
pleased but Reed crowded past them and moved quickly toward Meyer’s
room. Someone was lying on the floor near the window under a sheet
and Meyer was drinking a Schlitz and talking on the phone. There were
two men dressed in suits who Reed imagined were detectives. One was
taking flash pictures of everything and the other was standing by the
window peeking through the Venetian blinds.
There
was a metallic tang in the air, something that smelled familiar and
yet feral. Reed made it to Meyer’s bed and was standing beneath
Sandy’s mobile when something dripped off a can onto his forehead.
When he wiped it away he saw it was red and sticky, like blood.
It
looked like someone had gone crazy with red spray paint in Meyer’s
room. There was red stuff everywhere—on the walls, staining the air
conditioner, striping the Venetian blinds, soaking on the floor and
bed, dripping from the ceiling, caked in Meyer’s hair and on his
hands and face as he leaned into the phone.
“Mack,
what happened?” Reed heard himself asking.
“Just
stand still,” he said, “don’t touch anything. Take it easy.”
Meyer
finished his call and said to Mack, “Five minutes?”
Mack
shrugged. “Why not, my ass is in a sling either way….”
Meyer
looked at Reed. “Big Reed,” he said softly, “how was church?”
“What
happened, Meyer?” someone said. It must have been Reed since he was
talking, but it sounded far away. “What?”
“Foul
play,” he said. “It got a little too heavy for me to handle
well.”
Meyer
started thanking Mack for all he was doing and one of the policemen
from the door led Sugar over to kneel beside the sheet-covered
person. It was then that Reed realized it must be Pierce and he
wasn’t sleeping.
Mack
was drinking a Coke and talking with Meyer about ‘forensic
evidence’ while the young policeman was holding Sugar so she didn’t
touch the sheet. Pierce was obviously dead and the detectives were
obviously really upset. They kept looking at Mack and the people in
the room and murmuring to each other angrily. The whole thing seemed
too unreal.
Reed
helped the policeman hold Sugar for a while until Meyer came over and
put his arms around the three of them and told them to stay calm,
that Brigham was on his way, that it was all going to be all right.
The blood from Meyer’s hair rubbed off on Sugar and Reed and even
the policeman. He led Sugar and Reed away from the policeman to a
spot near the kitchen door.
“Meyer,”
Reed said, “what happened?”
“Oh,
shit, Reed, who’s to say.” His voice trembled like a brown bird
as he spoke. “Pierce happened. Heroine happened. He was dealing to
the kids at the high school and keeping Sandy strung out. And that
fucking curse of Annabaal kicked in. I don’t know what happened,
Reed, but it happened.”
Meyer
left them to go stand by Pierce’s body for a moment. Mack came and
took Sugar out to Krista in the kitchen. Reed was thinking about how
Meyer often said the only REAL RULE of the Factory was not to hurt
people. So Pierce had hurt people and Meyer cut his throat with the
yataghan for hurting people. He was trying to make that make sense
when, over in the corner of the room, near Pierce’s body, there was
a sudden flutter of wings. Jerry and John Henry were standing by the
door, looking in, their eyes as wide as brook trout’s eyes. One of
the detectives has his pistol out and was yelling about “a fucking
seagull”. Then a big, white, blood stained bird hopped on to
Meyer’s bed. The gull seemed stunned but tried to fly and crashed
into Sandy’s mobile, setting off a cacophony of tin-can noise,
squawking and yelling by everyone in the room.
Before
anything else could happen, an enormous bear of a man, squeezed into
a too small dark brown suit, picked up the bird and calmed it in his
arms.
Clucking
to the gull, the man looked at Reed and nodded, “Yo, Pilgrim,” he
said. Then he looked at the policeman with his gun out and at the
draped body of Pierce and at the blood almost everywhere and at Mack.
Finally, he turned to Meyer.
“By
process of elimination,” he said, “you must be Meyer.”
“You
must be Brigham,” Meyer said.
They
both nodded and looked at each other, not saying anything for a long
time. Brigham’s presence had frozen everyone else into statues. It
was just a blood-stained, skinny, one-eyed walrus and a buffalo of a
koala bear poured uncomfortably into undersized clothes staring at
each other across the eddies that had always been between them, at a
murder scene.
“Will
you take care of all this,” Meyer said softly, “and…you
them…them?”
Brigham
surveyed the chaos of the room and then looked over to the door where
all the residences of the Factory stood huddled, frozen into statues
of themselves and back at Pierce’s body. “No worry about that,”
he said. “Is this your bird?”
Meyer
laughed. “Hell no,” he said.
“Then
I’ll let him go,” Brigham said. He looked at Mack and said
softly, so only Mack and Reed heard him, “Thank you. You’re going
to need a new job….” Then he turned to Reed and said, “Tell
everyone I’ll be in touch.” He walked out the room as well as he
could fully clothed and put the gull out the kitchen door. Then he
was gone.
“I
never dreamed he’d look like that,” Meyer said to Mack, holding
out his hands. Mack shook his head.
“Better
do it,” Meyer said, “I might run and you’d have to shoot me.”
One
of the detectives came over and hand-cuffed Meyer roughly, growling
something at Mack. Then all the police left, telling the people of
the Factory not to leave the building and to stay out of Meyer’s
room. Reed could hear the crowd outside yelling but he couldn’t
understand what they were saying.
The
ambulance people came like albino bees to take Pierce away. Everyone
was dressed in white. White on white on white.
Forever.
During
a spare moment amid all the blood and flashbulbs and confusion,
before Brigham came and the gull appeared, Meyer asked Reed to do one
thing for him, just one. Reed would have done more, anything.
“Listen,
Reed,” he whispered, “there’s one thing I need you to do. Will
you do it?” Reed nodded. “Don’t nod, asshole,” Meyer hissed,
trying to talk without moving his lips. “The yataghan is in the
trunk of the VW bug wrapped up in Jerry’s cape. John Henry parked
the car a block away if you go outside through the back. Get rid of
it. OK? Soon….”
Reed
didn’t nod but blinked his eyes real fast. “Good,” Meyer said,
“it’s the only way to break the curse.”
“The
only way,” Reed thought. That’s what he believed. He thought
anyone would believe it.
As
they were taking Meyer away and before the real homicide squad
arrived, mad as hell, Reed slipped out the kitchen door, found the VW
and drove down to Longfellow Bridge. All the way he thought of the
knife, wrapped like an egg roll in the Union Army cape. He thought
about Turkish curses and the Civil War, thinking about anything he
could to keep from thinking about what he was doing and about the
place they were taking Meyer. He stopped half-way across the bridge,
jumped out, opened the front hood and threw the wool wrapped egg roll
of a murder weapon over the railing. After what seemed like
half-an-hour, he heard a dull splash, like a seagull wearing a Union
Army cape missing his landing.
Before
he could get back in the car, a man with a thin tie showed him
something in his wallet and pushed him roughly against the side of
the VW. He realized it was one of the detectives from the Factory. He
searched Reed with his fists and then asked him questions.
“Why
did you throw the knife in the river?”
“What
knife?” Reed asked.
“The
murder weapon. Did the suspect instruct you to dispose of it?”
“Who?
Dispose of what?”
“Don’t
play dumb, you bastard. I watched you throw it in. I’ll have divers
here in ten minutes. You better fucking talk….”
“It
was an old cape, something I’ve been meaning to get rid of….”
That’s what Reed was saying when the detective raised his knee into
Reed’s groin as hard as he could. Reed saw yellow and orange sparks
and stopped breathing.
“Leave
him the fuck alone!” Reed heard someone yelling and running steps
on the bridge just as he collapsed to the pavement. Reed knew it was
Mack. Mack stepped between them and shoved the detective away. “I
saw you hurt him, Spinelli, I’ll have you up on charges.”
“Charges,
my ass!” the detective yelled back. “You’re Irish ass is going
to be suspended and I’m not going with you. You have fucked this up
so bad you’ll be in a cell with your murdering hippie friend!”
They
went on like that for a long time while Reed lay with his face of the
Longfellow Bridge and tried to remember how to breathe. Finally, Mack
picked him up and helped him into the VW.
“Can
you drive, Reed?” he asked.
“That’s
a fucking material witness you stupid Mick,” the detective was
shouting.
“Go
home, Ill handle this,” Mack told Reed.
It
took Reed a while to find first gear and edge away from the curb. He
drove over to Boston and wound his way back down Memorial Drive and
across a different bridge. All he remembered later about the trip was
that when he was stopped at a red light, he heard a noise and
realized that big, dumb Vincent Price was in the back seat. He’d
slept through it all.
After
all the interrogations at the Factory, Reed didn’t sleep much that
night. There were too many dreams on the other side of his
eyelids—red and brutal dreams. Dreams about Meyer and Pierce and a
seagull with it’s head cut off, spouting blood from his mangled,
geyser neck.
After
the homicide detectives left, Brigham took Sugar to Homer Square. She
couldn’t stop crying. He told the others that his French wife would
take care of Sugar. So Reed had a whole bed to roll around I and not
sleep instead of half-a-bed. And he had no one to hold him against
the world. By five-thirty, he gave up and went downstairs.